Friday, January 27, 2012

Boat Trip (R-Rated Edition)

  • Actors: Cuba Gooding Jr., Horatio Sanz, Roselyn Sanchez, Vivica A. Fox, Maurice Godin.
  • Format: Closed-captioned, Color, Dolby, DVD, Full Screen, NTSC.
  • Language: English, Spanish, Swedish.
  • Region: Region 1 (U.S. and Canada only).
  • Not Rated. Run Time: 94 minutes.
Hoping to get his mind off of his ex-girlfriend Felicia heartbroken Jerry decides to join his best friend Nick on a singles cruise for a week of sun and possible romance. But when they find out they've wound up on the wrong cruise all they can think of is how to jump ship! That is until Jerry falls for Gabriella a gorgeous dance instructor who has given up on men and signed up on the cruise to get away from it all. Meanwhile the cruise ship picks up some crash victims who happen to be the Swedish Bikini Tanning Team and things really heat up!System Requirements:Starring: Cuba Gooding Jr. Vivica Fox Horat! io Sanz Victoria Silvstedt Lin Shaye Roselyn Sanchez Roger Moore Directed By: Mort Nathan Running Time: 93 Min. Color Copyright 2003 Artisan EntertainmentFormat: DVD MOVIE Genre: COMEDY Rating: NR UPC: 012236142805 Manufacturer No: 14280TWO BEST BUDDIES WHOSE LOVE LIVES HAVE HIT ROCK BOTTOM, ONE HAVING JUST VOMITED ALL OVER HIS FIANCE ON A HOT AIR BALLOONTRIP AS HE PROPOSED TO HER. TO ESCAPE THEIR TROUBLES & FIND WOMEN, THEY BOOK A CRUISE, THE AGENT PLAYS A HORRID TRICK ONTHEM & BOOKS THEM ON A GAY CRUISE.Cuba Gooding Jr. still has the exuberant energy that won him an Academy Award for Jerry Maguire--though his subsequent career choices have not been so golden. Still, he's a charming fellow, and his charisma makes Boat Trip surprisingly inoffensive, despite its plot: After being dumped by his girlfriend, Jerry (Gooding) sinks into a depressive funk until his buddy Nick (Horatio Sanz) drags him to a singles cruise--not realizing they've been sent on a g! ay singles cruise by a vengeful travel agent. But Jerry meets ! Gabriell e (Roselyn Sanchez), a sexy dance instructor, and falls head over heels--but to maintain her trust, he has to pretend to be just another gay guy out for a little sea air. Though thick with gay stereotypes, Boat Trip actually has a modest gay-men-are-people-too theme that makes the movie innocuous fluff. Also featuring Vivica A. Fox, Roger Moore, Will Farrell, and Playboy playmate Victoria Silvstedt. --Bret Fetzer

Wednesday, January 18, 2012

Blazing Saddles (30th Anniversary Special Edition)

Close Your Eyes

  • ISBN13: 9780374313821
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
2011 album from the Texas-based melodic Hardcore band.In Close Your Eyes, the author of the bestselling How to Be Lost spins another mesmerizing tale of buried family secrets.

For most of her life, Lauren Mahdian has been certain of two things: that her mother is dead, and that her father is a murderer.

Before the horrific tragedy, Lauren led a sheltered life in a wealthy corner of America, in a town outside Manhattan on the banks of Long Island Sound, a haven of luxurious homes, manicured lawns, and seemingly perfect families. Here Lauren and her older brother, Alex, thought they were safe.

But one morning, six-year-old Lauren and eight-year-old Alex awoke after a ni! ght spent in their tree house to discover their mother’s body and their beloved father arrested for the murder.

Years later, Lauren is surrounded by uncertainty. Her one constant is Alex, always her protector, still trying to understand the unraveling of his idyllic childhood. But Lauren feels even more alone when Alex reveals that he’s been in contact over the years with their imprisoned fatherâ€"and that he believes he and his sister have yet to learn the full story of their mother’s death.

Then Alex disappears.

As Lauren is forced to peek under the floorboards of her carefully constructed memories, she comes to question the version of her history that she has clung to so fiercely. Lauren’s search for the truth about what happened on that fateful night so many years ago is a riveting tale that will keep readers feverishly turning pages. A Letter from Author Amanda Eyre Ward
I grew up in Rye, New York, a small town outside of New York City. In 1988, I was sixteen years old. I smoked cigarettes in my room, thinking Trident gum would mask the scent. I made a fake ID and laminated it at the library, then used the ID to visit bars in nearby towns: Bumper’s, Streets, Tammany Hall.

On January 1, 1989, my friends and I woke up, heads pounding, in the living room of a stranger’s apartment in Manhattan. We walked to Grand Central and rode the Stamford local back to Rye. By mid-day, we heard that during the midnight hours of New Year’s Eve, there had been a murder in Larchmont, a neighboring town.

An Indian couple, both doctors, had been stabbed to death in their bedroom, throats slashed, their bodies mutilated. It seemed impossible that something like ! this could happen in the suburbs. Fear travelled silently along the Boston Post Road, past Baskin Robbins and the Smoke Shop, to Dogwood Lane, where I lived with my family in a stunningly beautiful home. To me, the message was clear: danger was everywhere.

The murder was not solved. Four-and-a-half years went by. My parents split up, and I went to college. I thought about the murder from time to time, trying to understand how a stranger had broken the spell of Rye, smashed through the safety we had all thought money could buy.

In 1993, we found out that the murderer was one of us, a teenage boy, a local. The son of a bank president. He had been blind drunk, he told a room full of people at an AA meeting. He was afraid he may have broken a door pane, entered his childhood home, where his family no longer lived, taken a knife from a kitchen drawer, and savagely attacked the strangers sleeping in his parents’ bedroom. He later said he didn’t remember anything! about it. He had been in an alcoholic blackout, but now he ha! d nightm ares.

At his trial, a psychiatrist said, "Probably the most typical behavior during a blackout is finding the way home....It's almost as if he were going back in time and eliminating the people that he sought to blame for all his problems back when he was seven years old."

He is now in jail.

The story of the New Year’s Eve murder has always stayed with me, and eventually evolved into Close Your Eyes. I think, in writing the book, I wanted not only to understand what happened to a boy who was one of us, what made him into a murderer, but also to create a world where this wrong was righted, and a broken town was sewn back together. I wanted to imagine a town that was loving and safe, a place that might never have existed in real life.

CD We Will Overcome

A little tiger takes an imaginative journey

The little tiger lay on his back in the tall grass.
"Close your eyes, little tiger," said his mother, "and go to ! sleep."

But the little tiger is worried about what sleep might bring.
His mother reassures him that once he closes his eyes, he will dream of magical places. And when he awakens, she will be right there, waiting for him.

Alternating between real-life scenes with the baby tiger and his mother and enchanted dream scenes of sleep's possibilities, Kate Banks's simple, comforting text and Georg Hallensleben's bright, colorful illustrations make this a charming bedtime story for small children.
 
Close Your Eyes is a 2002 New York Times Book Review Best Illustrated Book of the Year and a 2003 Bank Street - Best Children's Book of the Year.
A mother tiger wants her baby to go to sleep, but the little tiger resists. "'If I close my eyes,' he said, 'I can't see the sky.'" She assures him that he will not only see the sky when he sleeps, but will float among clouds and be cradled by the moon. Not in t! he least assured, the little tiger complains that if he clos! es his e yes, he will miss seeing the tree and the bird with blue feathers. With each concern, his mother consoles him with a comforting thought. If this gentle give-and-take were not calming enough for a bedtime story, Hallensleben's lovely dreamscapes (And If the Moon Could Talk) will surely do the trick. Double-page paintings of cloud animal shapes (with the little tiger cozying up with the moon), the "big mountains where the rain lives," and of mother tiger licking her baby are utterly hypnotic. Young children who are afraid to go to sleep will learn that "Dark is just the other side of light. It's what comes before dreams" and that mom is never very far away. (Ages 3 to 6) --Karin Snelson

Tuesday, January 17, 2012

Streaming Eye Design Protector Skin Decal Sticker for Apple MacBook Air 13 inch (released in Jan 2008)

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Young Masters is a delightful new hardcover book and music series from Grammy Award® Winner Bunny Hull that is destined to be in every child s collection. 28 pages Preschool Early Reader w/CD Somewhere over the sky and under the moon, Butaan and Phylos met and became the best of friends. Now children everywhere can share in the wisdom and wonder of these two Young Masters as they explore life s hidden treasures ! and discover its most precious secrets. Illustrator Kye Fleming has created two loveable characters that capture children s hearts. Songs support the theme and actress Elayn J. Taylor narrates the story backed by a beautiful score created by Hull. In The Magic Eye, Butaan helps Phylos to understand the boundless nature of the imagination, and how it can be used to overcome obstacles. Dan Cowan, Music DesignThis digital document is an article from The Futurist, published by Thomson Gale on January 1, 2008. The length of the article is 744 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: WorldFuture 2008: seeing the future through new eyes.
Author: Gale Reference Team
Publication: The Futu! rist (Magazine/Journal)
Date: January! 1, 2008
Publisher: Thomson Gale
Volume: 42 Issue: 1 Page: 52(3)

Distributed by Thomson Gale

Now in full color and completely updated, the Fifth Edition of this best-selling manual is a reliable quick-reference guide for all clinicians who treat eye disorders. Every disorder encountered in the office, emergency room, or hospital is covered in concise outline format: symptoms, signs, work-up, treatment, and follow-up. Also included are chapters on differential diagnosis of ocular symptoms and signs, a section on current imaging modalities in ophthalmology, and a Pharmacopoeia.

This edition features over 200 full-color photographs and includes the newest drugs, procedures, and treatment protocols. New topics covered include iridodialysis/cyclodialysis, shaken baby syndrome, crystalline keratopathy, refractive surgery complications, aberrant regeneration of the third nerve, venous stasis ret! inopathy, choroidal effusion/detachment, and common laser procedures. New appendices cover intravitreal injections and antibiotics, anterior chamber paracentesis, laser peripheral iridotomy, and YAG capsulotomy.

One of America’s most distinguished poets explores the complex relationship between art and social justice.

Over more than three decades Adrienne Rich’s essays have been praised for their lucidity, courage, and range of concerns. In A Human Eye, Rich examines a diverse selection of writings and their place in past and present social disorders and transformations. Beyond literary theories, she explores from many angles how the arts of language have acted on and been shaped by their creators’ worlds.

This powerful new collection includes a stirring response to the anthology Iraqi Poetry Today, a critique of three classic socialist manifestos, and a rereading of The Dead Lecturer, an! early volume of poems by LeRoi Jones. Rich engages the impul! se to ma ke art that both impels toward and interacts with social change, a theme she also traces through the letters of poets Robert Duncan and Denise Levertov, gay and lesbian politics and poetry, and influential texts on Zionism and the Jewish diaspora.

Despite the Israeli authorities' attempt to shut out aid workers and the media from the conflict zone, NORWAC (the Norwegian Aid Committee) succeeded in getting some of its envoys into the heart of Gaza City including two doctors: Erik Fosse and Mads Gilbert. For some time, the two were the only Western eyewitnesses in Gaza. This book is an account of their experience during sixteen harrowing days from 27 December 2008 to 12 January 2009. Each chapter covers just one day, as the reader follows the doctors' journey through the ravaged city, treating local Palestinians and hearing their stories. Hailed by the influential Norwegian Newspaper Klassekampen as the 'best book of 2009,' Mads Gilbert's and Erik Fosse's shocking, y! et sober account sheds much-needed light on this recent chapter of one of the most prolonged and complex conflicts of our time. Eyes In Gaza is translated from the Norwegian.This skin decal sticker is designed for Apple MacBook Air 13 inch (released in Jan 2008) with a SEPARATE TRACKPAD button. They are covered with a clear protectant layer for the ultimate in durability, it use a patented repositionable & removable adhesive backing for fast, easy and accurate installation and goo-free removal! They are paper-thin so they do not add any bulk. Skins are easy to apply (no bubbles), durable and easily removable without any residue.

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The bestselling author of Los Alamos and Alibi returns to 1945. Hitler has been defeated, and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. When an American soldier's body is found in the Russian zone during the Potsdam Conference, Jake stumbles on the lead to a murder mystery. The Good German is a story of espionage and love, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice, and what we mean by good and evil in times of peace and of war.
Ein Krieg um die Allein! herrschaft des Universums, Gott gegen Teufel, Himmel gegen Hölle und dazwischen ein Halbengel namens Dan.

Vor sehr langer Zeit wurden der Teufel und Gott in dieses Universum geschickt, um es gemeinsam, Planet um Planet zu erschaffen. Nach Meinungsverschiedenheiten und verschiedenen Ansichten, wie es dieses Universum aufzubauen galt, trennten sich jedoch die Wege der beiden Schöpfer. Daraufhin brach ein erbitterter Krieg zwischen den beiden Parteien aus, welcher noch tausende von Jahren andauern sollte.

Mit der Zeit wurden immer stärkere Wesen erschaffen, welche anschließend für Kriegszwecke eingesetzt wurden. Es entbrannte ein Kampf zwischen gutmütigen Engeln auf Seiten Gottes und bösartigen Dämonen auf Seiten des Teufels. Jedoch wurde die Lage für Gott und seine Engel mit der Zeit immer aussichtsloser.

Einundzwanzig Jahre nach der verbotenen Geburt des Halbengels Dan, schien es für das Himmelreich dann wieder einen kleinen Hoff! nungsschimmer zu geben, diesen Krieg doch noch zu gewinnen. De! r Engel Ezrael brachte den jungen Halbengeln, der unter den Menschen gelebt hatte, in den Himmel zu Gott. Dieser erzählte ihm von seiner Herkunft, sowie von seinen Eltern, welche der Teufel angeblich gefangen hält.
Dem jungen Halbengel fiel es sehr schwer, all dies zu glauben, jedoch beschloss er sich diesem Abenteuer zu stellen, den Teufel zu besiegen und seine Eltern zu befreien.

Der Engel Ezrael wird zu Dans Lehrmeister, der ihm dabei hilft, dessen unglaubliche Mächte zu kontrollieren. Mit jeder neuen Mission Gottes, wird dem Engel jedoch klarer, dass er sich nicht mehr auf der richtigen Seite in diesem Krieg zu befinden scheint. Er fängt an, an seinem Schöpfer zu zweifeln, womit er gegen das Himmelsgesetz verstößt.

Im Laufe der Geschichte gilt es herauszufinden, welche denn nun die wirklich richtige Seite in diesem ewigandauernden Krieg zwischen „gut“ und „böse“ ist. Sowie die wahre Herkunft von der Tochter des Teufels, die ein Mensc! h mit enormen Fähigkeiten zu sein scheint, jedoch nicht ganz mit den Entscheidungen ihres Vaters einverstanden ist.

Welche Seite wird es schaffen, als Sieger in diesem grausamen Krieg hervorzugehen?

Und wird es Dan gelingen, dieses Universum vor dem Untergang zu bewahren, seine leiblichen Eltern zu befreien, die letzten Puzzlestücke seiner wahren Herkunft zusammenzufügen, sowie zu seiner Freundin zurückkehren?

Between Good and Bad ist eine innovative Geschichte voller Geheimnisse, Intrigen und unerwarteten Wendungen. Eine Geschichte, die jeden Leser zum Nachdenken anregen wird. Einfach eine Geschichte, die es wert ist, gelesen zu werden.

Viel Spaß beim Lesen wünscht euch euer Autor Amer Sehic.

Kontakt: betweengoodbad@hotmail.de
Seitenanzahl: 350 WORD Seiten
Wortanzahl: ~105 000
Ein Krieg um die Alleinherrschaft des Universums, Gott gegen Teufel, Himmel gegen Hölle und dazwischen ein Halbengel ! namens Dan.

Vor sehr langer Zeit wurden der Teufel und! Gott in dieses Universum geschickt, um es gemeinsam, Planet um Planet zu erschaffen. Nach Meinungsverschiedenheiten und verschiedenen Ansichten, wie es dieses Universum aufzubauen galt, trennten sich jedoch die Wege der beiden Schöpfer. Daraufhin brach ein erbitterter Krieg zwischen den beiden Parteien aus, welcher noch tausende von Jahren andauern sollte.

Mit der Zeit wurden immer stärkere Wesen erschaffen, welche anschließend für Kriegszwecke eingesetzt wurden. Es entbrannte ein Kampf zwischen gutmütigen Engeln auf Seiten Gottes und bösartigen Dämonen auf Seiten des Teufels. Jedoch wurde die Lage für Gott und seine Engel mit der Zeit immer aussichtsloser.

Einundzwanzig Jahre nach der verbotenen Geburt des Halbengels Dan, schien es für das Himmelreich dann wieder einen kleinen Hoffnungsschimmer zu geben, diesen Krieg doch noch zu gewinnen. Der Engel Ezrael brachte den jungen Halbengeln, der unter den Menschen gelebt hatte, in den Himmel zu Gott. Dieser erz! ählte ihm von seiner Herkunft, sowie von seinen Eltern, welche der Teufel angeblich gefangen hält.
Dem jungen Halbengel fiel es sehr schwer, all dies zu glauben, jedoch beschloss er sich diesem Abenteuer zu stellen, den Teufel zu besiegen und seine Eltern zu befreien.

Der Engel Ezrael wird zu Dans Lehrmeister, der ihm dabei hilft, dessen unglaubliche Mächte zu kontrollieren. Mit jeder neuen Mission Gottes, wird dem Engel jedoch klarer, dass er sich nicht mehr auf der richtigen Seite in diesem Krieg zu befinden scheint. Er fängt an, an seinem Schöpfer zu zweifeln, womit er gegen das Himmelsgesetz verstößt.

Im Laufe der Geschichte gilt es herauszufinden, welche denn nun die wirklich richtige Seite in diesem ewigandauernden Krieg zwischen „gut“ und „böse“ ist. Sowie die wahre Herkunft von der Tochter des Teufels, die ein Mensch mit enormen Fähigkeiten zu sein scheint, jedoch nicht ganz mit den Entscheidungen ihres Vaters einverstanden ist. !

Welche Seite wird es schaffen, als Sieger in diesem gr! ausamen Krieg hervorzugehen?

Und wird es Dan gelingen, dieses Universum vor dem Untergang zu bewahren, seine leiblichen Eltern zu befreien, die letzten Puzzlestücke seiner wahren Herkunft zusammenzufügen, sowie zu seiner Freundin zurückkehren?

Between Good and Bad ist eine innovative Geschichte voller Geheimnisse, Intrigen und unerwarteten Wendungen. Eine Geschichte, die jeden Leser zum Nachdenken anregen wird. Einfach eine Geschichte, die es wert ist, gelesen zu werden.

Viel Spaß beim Lesen wünscht euch euer Autor Amer Sehic.

Kontakt: betweengoodbad@hotmail.de
Seitenanzahl: 350 WORD Seiten
Wortanzahl: ~105 000
 Now a Major Motion Picture The bestselling author of Los Alamos and Alibi returns to 1945. Hitler has been defeated and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph wh! ile pursuing a more personal quest: his search for Lena, the married woman he left behind. The Good German is a story of espionage, love, and murder, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice and what we mean by good and evil in times of peace and of war.
This compelling thriller is both a touching love story and a masterful portrayal of the struggle for geopolitical control of postwar Germany. Network correspondent Jake Geismar, who covered Berlin before the war, has returned to the devastated city, ostensibly to cover the Potsdam Conference but actually to find the woman he loves. Miraculously, Lena Brandt, Jake's wartime mistress, has survived. However, her mathematician husband is missing, and both the American and Russian intelligence services are hunting him. When the bullet-ridden body of an American soldier washes up on t! he shores of Potsdam in front of Jake's eyes just as Truman,! Churchi ll, and Stalin convene the first postwar conference, Jake is plunged into a maelstrom of intrigue, corruption, and betrayal.

A brilliantly evoked portrait of a unique moment in history (the end of one war and the beginning of another), The Good German amply fulfills the promise shown by Joseph Kanon in his two earlier novels, Los Alamos and The Prodigal Spy. --Jane Adams

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Fugitive Pieces

  • 16x9 full frame
  • anamorphic 1.85:1
  • 5.1 surround sound
  • 104 minutes
  • Blockbuster exclusive
A New York Times Notable Book of the YearWinner of the Lannan Literary Fiction AwardWinner of the Guardian Fiction AwardIn 1940 a boy bursts from the mud of a war-torn Polish city, where he has buried himself to hide from the soldiers who murdered his family. His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the other Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption.As Michaels follows Jakob across two continents, she lets us witness his transformation from a half-wild casualty o! f the Holocaust to an artist who extracts meaning from its abyss. Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.Anne Michaels, an accomplished poet, has already published two collections of poetry in her native Canada. She turns her hand to fiction in an impressive debut novel, Fugitive Pieces. This is the story of Jakob Beer, a Polish Jew, translator, and poet who, as a child, witnessed his family's slaughter at the hands of the Nazis. Beer himself was found and smuggled out of Poland by Athos Roussos, a Greek archaeologist who carried him back to Greece and kept him there in precarious safety. After the war they emigrated together to Canada. Jakob's story is told through diaries discovered by Ben, a young man whose parents are Holocaust survivors and who is a vessel for their memories just as Jakob is the bearer of hi! s own.

Fugitive Pieces is a book about memory and f! orgettin g. How is it possible to love the living when our hearts are still with the dead? What is the difference between what historical fact tells us and what we remember? More than that, the novel is a meditation on the power of language to free our souls and allow us to find our own destinies.Fugitive Pieces is presented here in a high quality paperback edition. This popular classic work by Baron Byron is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Baron Byron then we highly recommend this publication for your book collection.A New York Times Notable Book of the YearWinner of the Lannan Literary Fiction AwardWinner of the Guardian Fiction AwardIn 1940 a boy bursts from the mud of a war-torn Polish city, where he has buried himself to hide from the soldiers who murdered his family. His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the ot! her Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption.As Michaels follows Jakob across two continents, she lets us witness his transformation from a half-wild casualty of the Holocaust to an artist who extracts meaning from its abyss. Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.


From the Trade Paperback edition.Anne Michaels, an accomplished poet, has already published two collections of poetry in her native Canada. She turns her hand to fiction in an impressive debut novel, Fugitive Pieces. This is the story of Jakob Beer, a Polish Jew, translator, and poet who, as a c! hild, witnessed his family's slaughter at the hands of the Naz! is. Beer himself was found and smuggled out of Poland by Athos Roussos, a Greek archaeologist who carried him back to Greece and kept him there in precarious safety. After the war they emigrated together to Canada. Jakob's story is told through diaries discovered by Ben, a young man whose parents are Holocaust survivors and who is a vessel for their memories just as Jakob is the bearer of his own.

Fugitive Pieces is a book about memory and forgetting. How is it possible to love the living when our hearts are still with the dead? What is the difference between what historical fact tells us and what we remember? More than that, the novel is a meditation on the power of language to free our souls and allow us to find our own destinies.A New York Times Notable Book of the YearWinner of the Lannan Literary Fiction AwardWinner of the Guardian Fiction AwardIn 1940 a boy bursts from the mud of a war-torn Polish city, where he has buried himself to hide fr! om the soldiers who murdered his family. His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the other Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption.As Michaels follows Jakob across two continents, she lets us witness his transformation from a half-wild casualty of the Holocaust to an artist who extracts meaning from its abyss. Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.


From the Trade Paperback edition.Adapted from Anne Michael's acclaimed prose-poem novel, FUGITIVE PIECES is a harrowing and haunting tale of Holocaust survi! val and personal awakening. The film opens in Poland, as young! Jakob B err (Robbie Kay) is hidden away just before German soldiers storm into his Jewish family's home. After watching his parents murdered and his sister dragged away to an uncertain fate, Jakob flees and hides in the woods. He is discovered by a kindly Greek archaeologist, Athos (Rade Sherbedgia), who smuggles the sickly Jakob back to his own island home and hides him for the rest of the war. Years later, having moved to Canada, the grownup Jakob (Stephen Dillane) has become a writer struggling to articulate his childhood horrors, haunted by the mystery of his sister's fate. But after his troubled emotions lead to the breakup of his marriage to the free-spirited Alex (Rosamund Pike), Jakob must exorcise the ghosts of his past if he is to close a traumatic chapter of his life and find beauty in the present. Director Jeremy Podeswa (THE FIVE SENSES) ably shifts between the different stages of Jakob's life, showing how grief can continue to influence one's actions--or inaction--in t! he years that follow a tragedy. Handsomely shot and thoughtfully acted, FUGITIVE PIECES is a touching testimony to the power of remembrance and redemption

Monday, January 16, 2012

Get Him to the Greek (Single-Disc Edition)

The Good Guy

Friday, January 13, 2012

GoldenEye 007: Reloaded

  • Personalize and enhance your gameplay with more modifiers and weapon loadouts than ever before in both single- and multiplayer campaigns
  • Blast more classic Bond villains away using an impressive arsenal of powerful weapons
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  • True Next Gen - Experience GoldenEye on the next gen platform with stunning visuals, fast frenetic action, covert stealth gameplay and unforgettable characters.
  • Upgraded Multiplayer - Replay the multiplayer game that defined a generation but, now, with all new enhancements:
Activision GoldenEye 007 83721 PC GamesExperience the GoldenEye game updated for the X360/PS3 with beautiful graphics, upgraded multiplayer capabilities, multiple controller types, and enhanced gameplay customizations.

You've got your weapon out but the screen tells you that you're fresh out of ammo. You're frantically running in circles, waiting for an ammo box to reappear but luck is not on your side. After a quick peek at the screen, you know that your opponent has full health, powerful weaponry and is hot on your trail. Where's the ammo when you need it? Gunshots ring out and your character winces as y! our health flashes onscreen. Oddjob's on the upper level and h! e's shoo ting at you like fish in a barrel.

Goldeneye007 Reloaded
All new features
All new features
Play classic multiplayer modes
Play classic multiplayer modes

Synopsis

The classic shooter is back with all-new features. With more legendary characters, upgraded multi! player capabilities, numerous controller options and stunning graphics, GoldenEye 007: Reloaded is here to quench your thirst for James Bond action. Unlock 11 challenge areas in the new MI-6 mode, and play Covert, Elimination, Defense and Assault game modes. Paintball, Melee Only, Golden Gun and other classic multiplayer action returns for split-screen and online fun. Blast classic Bond villains to smithereens using signature weapons. Take the action online and relive your favorite multiplayer shooter with up to 16 players. Take advantage of everything you remember about the classic multiplayer maps, and get to know four all-new layouts. Bond's back â€" and he'sReloaded. Are you?



Key Features:

  • Personalize and enhance your gameplay with more modifiers and weapon loadouts than ever before in both single- and multiplayer campaigns
  • Blast more classic Bond villains away using an impressive arsena! l of powerful weapons
  • Play Covert, Elimination,! Defense and Assault game modes across 11 unlockable challenge areas in the new MI-6 Ops mode
  • Enhance your single-player gameplay for the first time ever with campaign modifiers, including Infinite Ammo, Golden Gun, Paintball, RPG and more
  • Actively compete and compare your scores in unlockable and expanded time trial modes on time trial leaderboards
  • Play classic multiplayer modes for split-screen and online fun, including Paintball, Melee Only and Golden Gun, and discover all-new modes yet to be revealed
  • Engage in private bouts with classic health, classic weapons and more
  • Relive the legendary multiplayer maps and explore four all-new areas
  • Take out your enemies in classic multiplayer modes with brand-new characters, signature weapons, gadgets and abilities
  • Compete with up to 16 players online
!

BAD NEWS BEARS

  • 1976 - Dell - 1st edition - Paperback
  • The Bad News Bears - By Richard Woodley
  • Stars: Walter Matthau, Tatum O'Neal
  • Movie Tie In - Vg to Good Condition
  • Collectible
In 1977, The Bad News Bears in Breaking Training had a moment in the sun. A glowing junk sculpture of American genres—sports flick, coming-of-age story, family melodrama, after-school special, road narrative—the film cashed in on the previous year’s success of its predecessor, The Bad News Bears. Arguing against the sequel’s dismissal as a cultural afterthought, Josh Wilker lovingly rescues from the oblivion of cinema history a quintessential expression of American resilience and joy.

Rushed into theaters by Paramount when the beleaguered film industry was suffering from Â"acute sequelitis,” the (undeniably flawed) movie miraculously transcended its limitations to beco! me a gathering point for heroic imagery drawn from American mythology. Considered in context, the film’s unreasonable optimism, rooted in its characters’ sincere desire to keep playing, is a powerful response to the political, economic, and social stresses of the late 1970s.

To Wilker’s surprise, despite repeated viewings, The Bad News Bears in Breaking Training continues to move him. Its huge heart makes it not only the ultimate fantasy of the baseball-obsessed American boy, but a memorable iteration of that barbed vision of pure sunshine itself, the American dream.
In 1977, The Bad News Bears in Breaking Training had a moment in the sun. A glowing junk sculpture of American genres—sports flick, coming-of-age story, family melodrama, after-school special, road narrative—the film cashed in on the previous year’s success of its predecessor, The Bad News Bears. Arguing against the sequel’s dismissal as a cultural afterthou! ght, Josh Wilker lovingly rescues from the oblivion of cinema ! history a quintessential expression of American resilience and joy.

Rushed into theaters by Paramount when the beleaguered film industry was suffering from Â"acute sequelitis,” the (undeniably flawed) movie miraculously transcended its limitations to become a gathering point for heroic imagery drawn from American mythology. Considered in context, the film’s unreasonable optimism, rooted in its characters’ sincere desire to keep playing, is a powerful response to the political, economic, and social stresses of the late 1970s.

To Wilker’s surprise, despite repeated viewings, The Bad News Bears in Breaking Training continues to move him. Its huge heart makes it not only the ultimate fantasy of the baseball-obsessed American boy, but a memorable iteration of that barbed vision of pure sunshine itself, the American dream.
In 1977, The Bad News Bears in Breaking Training had a moment in the sun. A glowing junk sculpture of American genresÂ! —sports flick, coming-of-age story, family melodrama, after-school special, road narrative—the film cashed in on the previous year’s success of its predecessor, The Bad News Bears. Arguing against the sequel’s dismissal as a cultural afterthought, Josh Wilker lovingly rescues from the oblivion of cinema history a quintessential expression of American resilience and joy.

Rushed into theaters by Paramount when the beleaguered film industry was suffering from Â"acute sequelitis,” the (undeniably flawed) movie miraculously transcended its limitations to become a gathering point for heroic imagery drawn from American mythology. Considered in context, the film’s unreasonable optimism, rooted in its characters’ sincere desire to keep playing, is a powerful response to the political, economic, and social stresses of the late 1970s.

To Wilker’s surprise, despite repeated viewings, The Bad News Bears in Breaking Training continues to move him.! Its huge heart makes it not only the ultimate fantasy of the ! baseball -obsessed American boy, but a memorable iteration of that barbed vision of pure sunshine itself, the American dream.
1976 - 1st Edition - Dell - 0823 - Paperback - The Bad News Bears - By Richard Woodley - Based on screenplay by Bill Lancaster - Movie Tie In - Paramount - Stars: Walter Matthau, Tatum O'Neal - Vg to Good Condition - Collectible

Wednesday, January 11, 2012

Wallmonkeys Peel and Stick Wall Decals - Red Wall and Bicycles(beijing,china) - 24"W x 15"H Removable Graphic

  • ALL orders CUSTOM printed. When you place an order, the image is made in the USA, just for you!
  • Printed on WHITE, premium, self-adhesive, re-positionable fabric paper.
  • No nails, frames or glue. No professional installation required.
  • Simply peel and stick! Easy to remove and re-apply.
  • BE SURE you ordered the right size for your intended use!
"Think of yourselves as the carrier pigeons of today!" instructs the manager of a bicycle delivery service. A young man from the country named Guei works diligently at this new job, eager to pay off the company bicycle and make it his own. But just before his last payment, the bicycle is stolen and he's fired--but if he can find it again, he'll get his job back. The emotional stakes of Beijing Bicycle become amazingly gripping: after Guei accidentally discovers that the bike now belongs to a young student who bought ! it used, a fight over the ownership of the bicycle becomes downright harrowing, for the student has a secret that threatens to humiliate him. Beijing Bicycle ranges from a light portrait of the kinetic poetry of a bicycle in motion to a raw examination of violence driven by envy and guilt. A beautiful, wrenching movie. --Bret FetzerPersistence pays off for country boy Guei (Cui Lin) when he lands a coveted job as a bicycle messenger on the teeming streets of Beijing. The silver mountain bike he now rides will be his once he earns 600 yuan. But just as he makes his final payment, the bicycle is stolen! On the other side of town, Beijing schoolboy Jian (Lee Bing) longs for a bicycle so he can ride around with his girlfriend Qin (Zhou Xun). Tired of banking on his father's empty promises, he steals a sum of money and buys a used bicycle- the bicycle that once belonged to Guei. After endless searching, Guei finally tracks down his bicycle-but there are complicatio! ns. A tug-of-war breaks out with Jian. Then, they try working ! out a co mpromise. But the bargain they makes takes them on an unexpected journey - a voyage of self-discovery that neither one of them will ever forget."Think of yourselves as the carrier pigeons of today!" instructs the manager of a bicycle delivery service. A young man from the country named Guei works diligently at this new job, eager to pay off the company bicycle and make it his own. But just before his last payment, the bicycle is stolen and he's fired--but if he can find it again, he'll get his job back. The emotional stakes of Beijing Bicycle become amazingly gripping: after Guei accidentally discovers that the bike now belongs to a young student who bought it used, a fight over the ownership of the bicycle becomes downright harrowing, for the student has a secret that threatens to humiliate him. Beijing Bicycle ranges from a light portrait of the kinetic poetry of a bicycle in motion to a raw examination of violence driven by envy and guilt. A beautiful, wren! ching movie. --Bret FetzerWallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices.
  • WallMonkeys are intended for indoor use only.
  • Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for!
  • Removable and will not leave a mark on your walls.
  • 'Fotolia' trademark wi! ll be removed when printed.
  • Our catalog of over 10 millio! n images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.
  • Contact [Blu-ray]

    • Condition: New
    • Format: Blu-ray
    • AC-3; Color; Dolby; Widescreen
    CONTACT - Blu-Ray MovieThe opening and closing moments of Robert (Forrest Gump) Zemeckis's Contact astonish viewers with the sort of breathtaking conceptual imagery one hardly ever sees in movies these days--each is an expression of the heroine's lifelong quest (both spiritual and scientific) to explore the meaning of human existence through contact with extraterrestrial life. The movie begins by soaring far out into space, then returns dizzyingly to earth until all the stars in the heavens condense into the sparkle in one little girl's eye. It ends with that same girl as an adult (Jodie Foster)--her search having taken her to places beyond her imagination--turning her gaze inward and seeing the universe in a handful of sand. Contact traces the journey between those two visual epiphanies. Based ! on Carl Sagan's novel, Contact is exceptionally thoughtful and provocative for a big-budget Hollywood science fiction picture, with elements that recall everything from 2001 to The Right Stuff. Foster's solid performance (and some really incredible alien hardware) keep viewers interested, even when the story skips and meanders, or when the halo around the golden locks of rising-star-of-a-different-kind Matthew McConaughey (as the pure-Hollywood-hokum love interest) reaches Milky Way-level wattage. Ambitious, ambiguous, pretentious, unpredictable--Contact is all of these things and more. Much of it remains open to speculation and interpretation, but whatever conclusions one eventually draws, Contact deserves recognition as a rare piece of big-budget studio filmmaking on a personal scale. --Jim Emerson

    Saturday, January 7, 2012

    Ty Beanie Baby Alvin, Alvin and the Chipmunks

    • Official product from Ty?s wildly popular Beanie Babies Collection
    • Look for the familiar heart-shaped tag that means you?ve purchased an authentic Ty product
    • Handmade with the finest quality standards in the industry
    • Requires no additional gift tag; inside allows you to insert ?TO? and ?FROM? information
    • Collect them all
    Chipmunk singing sensations Alvin, Simon and Theodore are back for an encore in this hilarious “squeakquel” packed with more action and more nutty fun for the whole family! When a concert mishap lands Dave in the hospital, the Chipmunks take a break from superstardom and enroll in school to fit in with kids their age. But they soon face some stiff competition when they meet the Chipettes â€" a beautiful, talented trio of chipmunks discovered by Ian, the boys’ evil ex-manager! Dave (Jason Lee) isn't exactly the typical father figure with a! n average family, but he cares deeply about his adoptive chipmunks Alvin (Justin Long), Theodore (Jesse McCartney), and Simon (Matthew Gray Gubler). While the performing life presents its own unique challenges, Dave always does his best to instill a sense of compassion and familial love into his young charges. When Alvin begins to get a little too caught up in his own stardom, Dave reminds him to share the spotlight with his fellow chipmunks, but Alvin gets carried away and ends up inadvertently injuring Dave on location in Paris. Aunt Jackie (Kathryn Joosten) steps in to look after the Chipmunks, but when her wheelchair rolls down a flight of stairs, only her irresponsible grandson Toby (Zachary Levi) is left to watch over the boys. An unemployed video gamer who lives with Jackie, Toby is completely unprepared for the responsibility of caring for the Chipmunks, but he agrees nonetheless. Starting school is not easy for the Chipmunks, and they are the target of bullying fro! m their very first day. But Alvin eventually works his way in ! with the popular crowd, leaving Theodore and Simon to fend for themselves with little support from Toby. The school principal (Wendie Malick) is one of the Chipmunks' biggest fans, and when the school's music department is about to be shut down due to lack of funds, she decides to enter them in a competition that will save the music program. Enter the Chipettes--female chipmunks Brittany (Christina Applegate), Eleanor (Amy Poehler), and Jeanette (Anna Faris), who are seeking their own chance for singing stardom--and the Chipmunks' dishonest ex-agent, Ian (David Cross), and the stage is set for some serious backstabbing competition. Craziness reigns as the two groups wage a musical war against one another, but in the end it all comes down to a question of what's more important--stardom or friendship. As in the first Alvin and the Chipmunks movie, the music is strangely appealing despite being performed mostly in falsetto, the characters are cute, the action is comical, and the! life lessons ring true. (Ages 6 and older with parental guidance due to some mild rude humor) --Tami HoriuchiA L V I N ! ! ! ! ! ! ! ! Struggling songwriter Dave Seville (Jason Lee) opens his home to a talented trio of chipmunks named Alvin, Simon and Theodore, they become overnight music sensations. But when a greedy record producer (David Cross) tries to exploit the "boys", Dave must use a little human ingenuity and a lot of 'munk mischief to get his furry family back before it's too late!Families come in many different shapes and sizes, but few humans consider rodents members of the family. Dave Seville (Jason Lee) is no exception, so when this flailing musician finds three young talking chipmunks gorging themselves in his kitchen cupboards, Dave is quick to question his sanity and then toss the offending chipmunks outside into the rain and restore order. When Dave hears the chipmunks singing outside his window, he realizes that that unusual trio might just be th! e world's next vocal sensation and he strikes a bargain with t! hem--the chipmunks can stay with him if they sing his songs. While chipmunks Alvin (Justin Long), Theodore (Jesse McCartney), and Simon (Matthew Gray Gubler) quickly begin to see Dave as a father figure, it's strictly a business arrangement for Dave and he maintains an appropriate emotional distance. Dave's frustration with the chipmunks mounts as they unwittingly wreak havoc on his personal life, but when Dave's old friend and record label mogul Ian (David Cross) begins to exploit the chipmunks for personal gain, Dave suddenly realizes what an important part of his life, and indeed his family, the three chipmunks have become. Hilarity reins in this live action/CGI comedy with many memorable scenes--think chipmunks showering in the dishwasher, riding in remote control planes, and bouncing off the walls under the influence of a serious caffeine buzz. Catchy Chipmunks' songs both new and old promise to lodge themselves in the minds of viewers long after the credits roll and even those! none-too-enchanted with the premise of singing chipmunks can't help but be entertained by this comical film. (Ages 6 and older with parental guidance due to mild rude humor) --Tami HoriuchiAlvin and the Chipmunks: Chipwrecked marks the 2011 return of everyone's favorite Chipmunks - Alvin, Simon and Theodore. Playing around while aboard a cruise ship, the Chipmunks and Chipettes accidentally go overboard and end up marooned in a tropical paradise. They discover their new turf is not as deserted as it seems. The film will be released in theaters nationwide on December 16, 2011.Alvin is the life of the party. He has never heard the term "look before you leap". He is funny, impulsive & of course a musical genius. Allllvvviiinnnn...

    Four Christmases

    • Every Christmas happily unmarried Brad and Kate escape divorced parents and exasperating relatives by getting on a plane. This year a fog rolls in, the airport shuts down and the couple is forced to celebrate four family Christmases in one hectic, hilarious day. Vince Vaughn and Reese Witherspoon lead an all-star cast in a comedy brimming with good cheer and great laughs -- as well as the answer t
    Vince Vaughn leads an all-star cast in the laugh-out-loud comedy about eight friends whose vacation in paradise is one they’ll never forget. Their group-rate vacation comes at a price when they discover that participation in the resort's unconventional couples therapy activities is anything but optional. Co-starring Jason Bateman, Jon Favreau, Faizon Love, Kristin Davis, Kristen Bell and Malin Akerman, Couples Retreat is a hilarious party in paradise, loaded with laughter and fun!Vince Vaughn and! Jon Favreau team up after their '90s career-making hit, Swingers, to write and costar in Couples Retreat, a romantic comedy that's heavy on the satire, but is also knowing and wry, as Swingers is at its best. Vaughn and Favreau are joined in the top-notch cast by the always engaging Kristin Bell (whose appearance with Vaughn, in a romantic tropical setting, may remind viewers of Forgetting Sarah Marshall), Jason Bateman, Kristin Davis (Sex and the City), Faizon Love, and Jean Reno. Fans of romantic comedies, and comedies of manners, will be delighted at the snappy interaction among the actors, and the zingers delivered by the script.

    "You are not buying some 20-year-old broad a motorcycle!" yells Vaughn's character, Dave, to Love's character, Shane, who's having an early midlife crisis. "She's a kid! Buy her a Hello Kitty book!" Turns out that all the couples in Dave and Shane's circle are having issues, and decide to take a g! roup tropical vacation. Ah, but there's a catch: the island ge! taway co mes with mandatory couples counseling and bonding events. Most of the film's laughs come from cringe-worthy fish-out-of-water moments, though there are some pretty great fish-in-water moments, too: Dave begins to panic during a test involving swimming with sharks. "It's time to get the gun, and shoot some fish!"

    Reno is also a standout, as the unctuous New Age-y director of the retreat, fearless in spewing half-nonsense yet having the almost admirable courage to stand behind his convictions. The film was directed with a light hand by Peter Billingsley, who starred as young Ralphie in A Christmas Story, and who has acted with Vaughn in Four Christmases and The Break-Up. And somehow, among the lunacy and the beauty of nature, friends and soulmates may just find the way back to each other. Just steer clear of the Jet Skis. --A.T. HurleyVince Vaughn leads an all-star cast in the laugh-out-loud comedy about eight friends whose vacation in paradise! is one they’ll never forget. Their group-rate vacation comes at a price when they discover that participation in the resort's unconventional couples therapy activities is anything but optional. Co-starring Jason Bateman, Jon Favreau, Faizon Love, Kristin Davis, Kristen Bell and Malin Akerman, Couples Retreat is a hilarious party in paradise, loaded with laughter and fun!Vince Vaughn and Jon Favreau team up after their '90s career-making hit, Swingers, to write and costar in Couples Retreat, a romantic comedy that's heavy on the satire, but is also knowing and wry, as Swingers is at its best. Vaughn and Favreau are joined in the top-notch cast by the always engaging Kristin Bell (whose appearance with Vaughn, in a romantic tropical setting, may remind viewers of Forgetting Sarah Marshall), Jason Bateman, Kristin Davis (Sex and the City), Faizon Love, and Jean Reno. Fans of romantic comedies, and comedies of manners, will be delighted at! the snappy interaction among the actors, and the zingers deli! vered by the script.

    "You are not buying some 20-year-old broad a motorcycle!" yells Vaughn's character, Dave, to Love's character, Shane, who's having an early midlife crisis. "She's a kid! Buy her a Hello Kitty book!" Turns out that all the couples in Dave and Shane's circle are having issues, and decide to take a group tropical vacation. Ah, but there's a catch: the island getaway comes with mandatory couples counseling and bonding events. Most of the film's laughs come from cringe-worthy fish-out-of-water moments, though there are some pretty great fish-in-water moments, too: Dave begins to panic during a test involving swimming with sharks. "It's time to get the gun, and shoot some fish!"

    Reno is also a standout, as the unctuous New Age-y director of the retreat, fearless in spewing half-nonsense yet having the almost admirable courage to stand behind his convictions. The film was directed with a light hand by Peter Billingsley, who starred as young Ralphie in ! A Christmas Story, and who has acted with Vaughn in Four Christmases and The Break-Up. And somehow, among the lunacy and the beauty of nature, friends and soulmates may just find the way back to each other. Just steer clear of the Jet Skis. --A.T. HurleyThe 2-Disc Ultimate-Vacation Edition features over 40 minutes of exclusive bonus features, including additional deleted scenes, Eden Resort Production Tour, "Paradise Found: The Making of Couples Retreat" and the Cinemax special.

    Vince Vaughn leads an all-star cast in the laugh-out-loud comedy about eight friends whose vacation in paradise is one they'll never forget. Their group-rate vacation comes at a price when they discover that participation in the resort's unconventional couples therapy activities is anything but optional. Co-starring Jason Bateman, Jon Favreau, Faizon Love, Kristin Davis, Kristen Bell and Malin Akerman, Couples Retreat is a hilarious party in paradise, loaded with laughter and fun!A couple struggles to visit all four of their divorced parents on christmas day. Studio: New Line Home Video Release Date: 11/24/2009 Starring: Reese Witherspoon Robert Duvall Run time: 120 minutes Rating: Pg13 Director: Seth GordonWhen your significant other tells you you both need an exit "safe word" before you enter his dad's Christmas gathering, you know you're not in Bedford Falls. But while Vince Vaughn and Reese Witherspoon may not be It's a Wonderful Life's George and Mary Ba! iley, Four Christmases is a modern holiday classic in its own right. For one thing, every family neurosis and dysfunction have taken root in the four families of Vaughn and Witherspoon's characters, Brad and Kate--and the sleek yuppie façade each has built with the other is about to come tumbling down. There are real belly laughs as the couple unexpectedly has to spend holidays with their four extended family groups. "I don't want to speak ill of your mother on Christmas," growls Howard (Robert Duvall) to son Brad, while Brad's bullnecked ultimate-fighter brothers are rassling everything in sight, "but she's nothing but a common street whore." Brad may cringe, but Kate's own family is about to mortify her in abundant ways, from her randy "Gram-Gram" and about-to-pounce cougar mom Mary Steenburgen ("I feel like a Saudi prince in here," marvels Brad as all of Kate's female relatives drape themselves over him), to the revelation to Brad that Kate used to be--how to put! this--a bit on the chubby side. If the plot isn't full of sur! prises, the quips are nonstop and the acting believable and charming. The supporting cast also includes Sissy Spacek, Jon Voight, Jon Favreau and Dwight Yoakam in a memorable turn as the mega-church pastor Steenburgen's character is involved with. It's a comic Christmas blessing, and there'll be no need to say "mistletoe"--at least not till the viewers are home with their own families. --A.T. Hurley

    Clash of the Gods: 3 - Disc Set

    • Reacquaint yourself with myths so powerful that they remain woven into the fabric of the present world, resonating with real-life relevance.Thousands of years ago, they were used to help frame the world of the ancients, and dictate the guidelines of their societies. Today, they are often the first stories we learn as children, iconic tales where good and evil clash, and humanity and fantasy collid
    Ian McKellen delivers a riveting award-winning performance as Hollywood horror director James Whale. It's 1957 and Whale's heyday as the director of Frankenstein Bride of Frankenstein and The Invisible Man is long behind him. Retired andia semi-recluse he lives his days accompanied only by images from his past. When his dour housekeeper Hannah (Lynn Redgrave) hires a handsome young gardener Clayton Boone (Brendan Fraser) the flamboyant director and simple yard man develop an unlikely friendship. Thi! s powerful and poignant relationship will change their lives forever.System Requirements:Starring Brendan Fraser Ian McKellen Lolita Davidovich Lynn Redgrave Directed by Bill Condon Running time: 105 minutes Copyright Lion's Gate 2003Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 031398833222 Manufacturer No: 71872One of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into mela! ncholy remembrance of things past. Flashbacks of lost love, Wo! rld War  I battle trauma, and glory days in Hollywood combine with Whale's present-day attraction to a newly hired yard worker (Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

    The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly ! affectionate film that succeeds on many levels. It is at once a keen glimpse of Hollywood's past, a loving tribute to James Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff ShannonOne of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into melancholy remembrance of things past. Flashbacks of lost love, ! World War I battle trauma, and glory days in Hollywood combin! e with W hale's present-day attraction to a newly hired yard worker (Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

    The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly affectionate film that succeeds on many levels. It is at onc! e a keen glimpse of Hollywood's past, a loving tribute to James Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff ShannonOne of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into melancholy remembrance of things past. Flashbacks of lost love, World War I battle trauma, and glory days in Hollywood comb! ine with Whale's present-day attraction to a newly hired yard ! worker ( Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

    The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly affectionate film that succeeds on many levels. It is at once a keen glimpse of Hollywood's past, a loving tribute to Ja! mes Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff Shannon

    Previously titled Father of Frankenstein, this acclaimed novel was the basis for the 1998 film starring Sir Ian McKellen, Lynn Redgrave, and Brendan Fraser. It journeys back to 1957 Los Angeles, where James Whale, the once-famous director of such classics as Frankenstein and Bride of Frankenstein, is living in retirement, haunted by his past. Rescuing him from his too-vivid imagination is his gardener, a handsome ex-marine. The friendship between these two very different men is sometimes tentative, sometimes touching, often dangerousâ€"and always captivating.

    This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    Reacquaint yourself with myths so powerful that they remain woven into the fabric of the present world, resonating! with real-life relevance.

    Thousands of years ago, they! were us ed to help frame the world of the ancients, and dictate the guidelines of their societies. Today, they are often the first stories we learn as children, iconic tales in which good and evil clash, and humanity and fantasy collide. But what is the reality behind these stories? From the epic tragedy of Medusa, Greek mythology s most infamous female fiend, to Hercules, its greatest action hero, and Hades, master of the land of the dead and a god so feared no one would speak his name, explore these myths and the legendary figures who inspired them in CLASH OF THE GODS. Each episode connects ancient myths to actual historical events, as well as to events in the Bible and other cultures mythologies, gaining important historical insight from renowned scholars in search of the truth behind the legends.

    This 10-part series on two discs travels back in time to reveal the stories behind some of history s most infamous mythological figures and legends including:

    Zeus
    ! Hercules
    Hades
    The Minotaur
    Medusa
    Odysseus: Curse of the Sea
    Beowulf
    Tolkien s Monsters
    Thor
    And moreIt's paradoxical that the most heavily invented and imagined parts in this 10-episode Clash of the Gods series are so much less riveting than the simple storytelling by scholars cast to recap the myths in classroom-lecture style. In these hour-long episodes, myths are dramatized with acting that borders on farce. Men pumping their muscles and grunting or monsters' eyes glowing flaccidly into the camera lens are marked periodically by CG blood splatters and modern primitive tattoo designs blazing across the screen that do nothing for Greek myth except make it feel oafish. Even narrator Stan Bernard's rowdy, punctuated speaking style reminds one of narration for a detective show or a wrestling match instead of an educational documentary highlighting history's greatest mythic heroes. While modernizing ancient myth is a controversial topic, ! there are many reasons a television show visually explicating ! the clas sics to reach new generations is a great idea. But the erratic, hectic visual style of this series does a disservice to already-exciting stories that, according to the show's mission, explain the ancient world's belief that nature was subject to the gods. Clash of the Gods' other premise, more in keeping with its sensationalistic tone, is to expose hidden truths behind the myths.

    The majority of the series devotes episodes to the rise of the Olympian gods, beginning with Zeus's battle with his father, Kronos, and the Titans. Images of Zeus with a ridiculous white lightning bolt painted across his face repeat ad nauseam throughout to supposedly show how Zeus took control of mortal earth until consumed by his "uncontrollable sex drive." Likewise, the episode "Hercules" depicts a well-oiled man in tight underwear roaming the desert to elucidate how he is the world's "ultimate superhero." Only scholars like Tom Stone, who humorously likens Hercules to Babe Ruth, or Mi! chael Fontaine from Cornell University, do any justice to the exploration of metaphorical connections between Hercules's 12-challenge quest and the ordeals humans were experiencing when the myth was popular. "Minotaur" better achieves its aim to link truths to the myth, by linking historical wars between the Cretans and Athenians to the horrific tale of the man-eating Cretan beast, deemed Athenian propaganda by historians like David George at Saint Anselm College. Also meaningful is the narrative thread in this episode about Theseus's dual fathers, one mortal and one god, and the fantastic connection between historical politicians, such as Alexander the Great, who believed that they too were conceived of two men. While "Medusa," the two-episode "Odysseus," and "Beowulf" do zilch to enlighten beyond basic redundant storytelling, the lamest episode of all is "Tolkien's Monsters," a heavy-handed look at how J.R.R. Tolkien's Middle Earth was inspired by his days in the trenches! during World War I. While the information in this series is i! nformati ve and interesting, simulated drama and footage that repeats as if the History Channel ran out of material to edit in makes for possibly the worst series on mythology out there. Save your money and read the books instead. --Trinie Dalton

    Friday, January 6, 2012

    Pursuit of Honor

    • ISBN13: 9781416595175
    • Condition: New
    • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

    Now in paperback, the pulse-pounding thriller by #1 New York Times bestselling phenomenon Vince Flynn features counterterrorism hero Mitch Rapp as he wages a war against a new enemy with the help of a fellow soldier as dedicatedâ€"and as lethalâ€"as they come.

    Time and again, Vince Flynn has captivated readers’ imaginations with his all-too-real portrayal of a secretive world where fearless men and women, bound by duty, risk their lives in a covert war they must hide from even their own political leaders. Now, in Extreme Measures, Mitch Rapp and his agency colleague, Mike Nash, may have met their match.

    The CIA has detected two terrorist cells, but a third is feared to be o! n the loose. Led by a dangerous mastermind obsessed with becoming the leader of al-Qaeda, this determined and terrifying group is about to descend on America. Rapp needs the best on this assignment, and former marine officer Nash is his choice. Together, they have made careers out of meeting violence with extreme violence and have never wavered in the fight against the jihadists and their culture of death. But the one thing he never saw coming was that his own government was about to turn on him.

    Using his insider knowledge of intelligence agencies and the military, Flynn once again delivers a smart, devastatingly intense, and jaw-droppingly realistic political thriller that will have fans on the edge of their seats until the last riveting page.

    THE #1 NEW YORK TIMES BESTSELLER FROM VINCE FLYNN

    THE POLITICAL THRILLER OF OUR TIME

    In the secretive world where fearless men and women wage a daily covert war, the CIA has intercepted two terrorist cellsâ€"but a! third, led by a dangerous mastermind, is feared to be on the ! loose. C ounterterrorist agent Mitch Rapp joins forces with a warrior as dedicatedâ€"and lethalâ€"as they come: ex-Marine and elite operative Mike Nash. Both Rapp and Nash have stared down the jihadist culture of death. Both have saved thousands of lives without accolades or acknowledgment of their personal sacrifices. But the political winds have changed on Capitol Hill, and certain leaders want Mitch Rapp put back on a short leash. And when a nightmare scenario descends on Washington, D.C., Rapp and Nash will follow new rules of engagement: their own.THE #1 NEW YORK TIMES BESTSELLER FROM VINCE FLYNN

    THE POLITICAL THRILLER OF OUR TIME

    In the secretive world where fearless men and women wage a daily covert war, the CIA has intercepted two terrorist cellsâ€"but a third, led by a dangerous mastermind, is feared to be on the loose. Counterterrorist agent Mitch Rapp joins forces with a warrior as dedicatedâ€"and lethalâ€"as they come: ex-Marine and elite operative Mike Nash. Both R! app and Nash have stared down the jihadist culture of death. Both have saved thousands of lives without accolades or acknowledgment of their personal sacrifices. But the political winds have changed on Capitol Hill, and certain leaders want Mitch Rapp put back on a short leash. And when a nightmare scenario descends on Washington, D.C., Rapp and Nash will follow new rules of engagement: their own.Dr. Eric Najarian. He's young, talented, and ambitious. He has all the qualities they're looking for at White Memorial Hospital. He doesn't know he's being watched. Judged. An elite clique of medical professionals thinks he has what it takes to join their secret club. All the young doctor has to do is agree to play by their rules.

    But Eric has already seen too much. A missing corpse. An unspeakable mutilation. A brutal abduction. It's only the beginning of a plot of terrifying evil. A sinister plan the group will stop at nothing to hide. And if Eric refuses to become their c! olleague--he will be their next victim.Dr. Eric Najarian. He's! young, talented, and ambitious. He has all the qualities they're looking for at White Memorial Hospital. He doesn't know he's being watched. Judged. An elite clique of medical professionals thinks he has what it takes to join their secret club. All the young doctor has to do is agree to play by their rules.

    But Eric has already seen too much. A missing corpse. An unspeakable mutilation. A brutal abduction. It's only the beginning of a plot of terrifying evil. A sinister plan the group will stop at nothing to hide. And if Eric refuses to become their colleague--he will be their next victim.


    From the Paperback edition.Dr. Eric Najarian. He's young, talented, and ambitious. He has all the qualities they're looking for at White Memorial Hospital. He doesn't know he's being watched. Judged. An elite clique of medical professionals thinks he has what it takes to join their secret club. All the young doctor has to do is agree to play by their rules.
    But Eric has already seen too much. A missing corpse. An unspeakable mutilation. A brutal abduction. It's only the beginning of a plot of terrifying evil. A sinister plan the group will stop at nothing to hide. And if Eric refuses to become their colleague--he will be their next victim.


    From the Paperback edition.#1 NEW YORK TIMES BESTSELLING AUTHOR VINCE FLYNN’S MOST EXHILARATING

    POLITICAL THRILLER

    When Washington, D.C.’s National Counterterrorism Center is struck by a series of devastating explosions, the results are catastrophicâ€"185 killed, including public officials and CIA employees. Such an act of extreme violence calls for extreme measuresâ€"and elite counterterrorism operative Mitch Rapp, joining forces with trusted team member Mike Nash, finds himself in the frustrating position of having to illustrate the realities of national security to government officials up in arms over the agents who rushed in to save countless American! lives. Meanwhile, with three al Qaeda terrorists still at lar! ge and N ash traumatized by the horrors he witnessed during the attack, Rapp must help his friend while threading his way through the naysayers on Capitol Hillâ€"and silently, swiftly, do what he must for the sake of his country and the pursuit of honor.

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