Thursday, December 29, 2011

The Deep End of the Ocean

  • Michelle Pfeiffer, Whoopi Goldberg, High School Reunion, Treat Williams, Jonathan Jackson, Cory Buck
A #1 New York Times bestseller, Mitchard's suspenseful and moving novel is now available in trade paperback

Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.

"Riveting . . . twists that will spin you arou! nd." --Newsweek

"A drama with the tension of a thriller that moves deeply into the emotional territory of family ties." --People

"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a j! ournalist and compassion of someone who has seemingly been th! ere. Int ernational publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old B! en Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to en! dure, even against extraordinary odds. Filled with compassion,! humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Beth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything ! to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry RenshawDEEP END OF THE OCEAN - DVD MovieBeth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastatin! g guilt and grief that goes along with it. Nine years later, t! he famil y has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is! certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry Renshaw

Color Me Kubrick

  • John Malkovich gives a hilarious tour-de-force as Alan Conway, a conman who successfully passed himself off as the famed and notoriously reclusive director, Stanley Kubrick, for the last decade of the filmmaker's life, despite knowing very little about Kubrick. It'd be a farce of the highest order if it weren't based on a true story. Format: DVD MOVIE Genre: DRAMA Rating: NR Age
John Malkovich gives a hilarious tour-de-force as Alan Conway, a conman who successfully passed himself off as the famed and notoriously reclusive director, Stanley Kubrick, for the last decade of the filmmaker's life, despite knowing very little about Kubrick. It'd be a farce of the highest order if it weren't based on a true story.Color Me Kubrick tells the slyly amusing and "true-ish" story about a brazen impostor who pretended to be one of the world's greatest filmmakers. As British comedies go it's ! a bit of a trifle, but constantly enjoyable for cinephiles devoted to Stanley Kubrick and his films. In a foppishly flamboyant performance, John Malkovich dons a fab-ulously colorful wardrobe and uses a comical variety of voices as Alan Conway, an eccentrically gay outcast who spent most of the 1990s convincing his gullible targets that he was Stanley Kubrick, despite bearing no resemblance to the real Kubrick and knowing next to nothing about the director's celebrated films. Preying (with startling success) upon their ignorance and their fawning desire to seek favors from this "legendary filmmaker," Conway conned his mostly gay victims into giving him money, sex, and other kinds of ill-earned appreciation, and Color Me Kubrick (completed two years before its simultaneous release to theaters and DVD) does a terrific job of showing how Conway managed to maintain this charade for nearly a decade before he was "outed" by New York Times columnist Frank Rich! , whose own encounter with Conway would eventually lead to the! faux-Ku brick's undoing.

It's pretty slight stuff, as comedies go, but it boasts plenty of authority behind the camera: Both director Brian Cook and screenwriter Anthony Frewin were close associates of Kubrick's for decades, and they have terrific fun by peppering their film with a variety of Kubrickian in-jokes, from the frequent use of music featured in Kubrick's own films to a variety of visual in-jokes that Kubrick worshippers will instantly recognize. Add to this Malkovich's crazily unhindered performance, and you've got a nice little cult comedy that will keep you laughing if you're in the right mood. Keep your eyes wide open for cameo appearances by Marisa Berenson (who appeared in Kubrick's Barry Lyndon), Peter Sallis (the voice of Wallace in the Wallace and Gromit films), and director Ken Russell, among others. --Jeff Shannon

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