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A pulse-pounding cyber thriller starring Jeremy Northam (GOSFORD PARK, EMMA) and Lucy Liu (KILL BILL VOLUME 1, CHARLIE'S ANGELS: FULL THROTTLE), CYPHER is sure to entertain you! When computer expert Morgan Sullivan (Northam) joins a huge multinational company, he assumes a new identity and is sent undercover to investigate corporate espionage. Before long, he f! inds himself caught up in a vicious cycle of paranoia and mistrust. Then along comes Rita (Liu), a sexy and smart secret agent who informs Sullivan that he's being brainwashed and that she is the only one who can help him! Loaded with riveting twists and amazing special effects ... you're sure to applaud this fast-paced thriller!Cýphêr® Optimizer - Zesty Lime Verbena Fragrance Introducing the most advanced tanning technology in the world... Cýphêr® Optimizer with the revolutionary new Cell SpeakTM Complex. This tanning technology is the first that is able to mimic and communicate with the skin's natural functions during tanning to significantly increase melanin production by optimizing protein-binding reactions in the skin.

Here on Earth: A Natural History of the Planet

  • ISBN13: 9780802119766
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The bestselling author of Turtle Moon and Practical Magic tells her most seductive and mesmerizing tale yet--the story of March Murray, who returns to her small Massachusetts hometown after nineteen years, encountering her childhood sweetheart...and discovering the heartbreaking and complex truth about their reckless and romantic love.

"A sound addition to an impressive body of work."--Boston Globe

"Sumptuous prose."--Denver Post

"Here on Earth is Hoffman's twelfth novel, and the spell she casts is stronger than ever."--Orlando Sentinel

* Includes a Reader's Guide

The New York Times bestseller and Oprah's Book Club selection...with a Reade! r's Guide included.Oprah Book Club® Selection, March 1998: Here on Earth is set in motion when March Murray and her teenage daughter travel from their California home to New England. Their stay is to be brief. Judith Dale, her childhood housekeeper-cum-foster mother, has died, and March must set things to right and get out of gloomy Jenkintown as quickly as possible. "Five days tops," she reassures her scientist husband. Instead, she is pulled back into the arms of Hollis, her first love--an avaricious, Heathcliff-like individual who radiates sulfur and cruelty. "She left and didn't come back, not even when he called her, and yet here she is, on this dark night; here and no place else." In this deep fable of loss and control, love and fear, Alice Hoffman allows us into her characters' cores and makes us wish their fortunes were happier. Here on Earth is filled with wisdom, what-ifs, and animals who seem, if not to know more than human bei! ngs, at least to know how to shy from danger.Chris Klein ("Ame! rican Pi e") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance, friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money, good looks and a new Mercedes. But after a reckless car race destroys a roadside diner, Kelley finds himself sentenced to a summer of manual labor in a small town. That's where he meets and falls in love with Samantha, a girl from the other side of the tracks. But everything changes when Samantha's long-time boyfriend Jasper (Josh Hartnett, "The Faculty") uncovers their secret romance. This "sweet and romantic" (YM Magazine) tale of first love will capture your heart.Slumming among the locals of a small New York town, Kelley Morse (Chris Klein), graduating senior at a posh prep school and all-around insufferable rich kid, engages the testosterone of one of the hicks (Josh Hartnett) when he flirts with the guy's girlfriend, Samantha (LeeLee Sobieski). A car chase ensues, resulting in Sama! ntha's family's diner getting blown up, which in turn lands the boys in hot water with the law. The upshot is the snotty rich kid is sentenced to help the locals rebuild the diner. A romance develops between Kelley and Samantha, apparently because they like a particular Robert Frost poem. So now they're deep, see. But then their love is tested when Samantha contracts Ali MacGraw disease. You know, that's the sudden disease Ali McGraw gets in Love Story--really an excuse to emphasize the strength of the characters' love. You don't know what you got till it's gone, right? This film would be pretty bad if the performances weren't so engaging, especially LeeLee Sobieski's, who seems to be channeling Helen Hunt in this movie. Though Chris Klein never makes us believe for an instant that his arrogant character could make the changes he does, or that his and Sobieski's characters could ever really get together. The script is too thin to support any motivations, and the film! falls into formula weepy territory to appeal to teen tear duc! ts. Love rs of weepies might overlook the film's plot weaknesses in favor of the strong performances and the prospect of a good cry. --Jim Gay
Beginning at the moment of creation with the Big Bang, Here on Earth explores the evolution of Earth from a galactic cloud of dust and gas to a planet with a metallic core and early signs of life within a billion years of being created. In a compelling narrative, Flannery describes the formation of the Earth’s crust and atmosphere, as well as the transformation of the planet’s oceans from toxic brews of metals (such as iron, copper, and lead) to life-sustaining bodies covering 70 percent of the planet’s surface. Life, Flannery shows, first appeared in these oceans in the form of microscopic plants and bacteria, and these metals served as catalysts for the earliest biological processes known to exist. From this starting point, Flannery tells the fascinating story of the evolution of our own species, exploring several ear! ly human species—from the diminutive creatures (the famed hobbits) who lived in Africa around two million years ago to Homo erectus—before turning his attention to Homo sapiens. Drawing on Charles Darwin’s and Alfred Russell Wallace’s theories of evolution and Lovelock’s Gaia hypothesis, Here on Earth is a dazzling account of life on our planet.

Harsh Times

  • (Action) Bale stars as an ex-Army Ranger who finds himself slipping back into his old life of petty crime and booze after a job offer from the LAPD evaporates. Honorable discharged, Homeland Security wants to recruit him for some special ops in Central America, but first he has to pass a urine test.which proves difficult. Film directorial debut for Ayer who has written such box office hits as TRA
(Action) Bale stars as an ex-Army Ranger who finds himself slipping back into his old life of petty crime and booze after a job offer from the LAPD evaporates. Honorable discharged, Homeland Security wants to recruit him for some special ops in Central America, but first he has to pass a urine test...which proves difficult. Film directorial debut for Ayer who has written such box office hits as TRAINING DAY, U-571 and THE FAST AND THE FURIOUSBleak as its South Central Los Angeles setting, Harsh T! imes is like a suicidal vortex swallowing men who ought to know better but can't stop their self-destruction. Christian Bale stars as Jim Davis, a stressed-out, former Army Ranger who becomes a very bad influence on his weak-willed buddy, Mike Alvarez (Freddy Rodriguez of Six Feet Under). Together the two meander through streets at night, getting drunk and stoned, finding trouble for its own sake and inviting danger as a ritual of machismo bonding. Mike's wife, Sylvia (Eva Longoria), a lawyer whom Mike, working as a telemarketer, put through school, is repelled by Jim and watches in pain as her spouse chooses a downward spiral over renewal and redemption with her. When Jim's application to join the L.A. police is turned down, he leads Mike into pure anarchy. An impractical change of fortune doesn't help any, and first-time director David Ayer, who wrote the screenplay for Harsh Times years before his script for Training Day, goes to some lengths, dr! amatically and visually, to convey Jim's unhinged condition. T! he drear iness of it all, and a sense that Bale has constructed--but not exactly lived in--another in his gallery of lost, misfit souls, makes it hard to connect with this film. Still, it is hard to turn away from these desperate and dangerous characters. --Tom Keogh

Pirates of the Caribbean: At World's End (Two-Disc Limited Edition)

  • Condition: New
  • Format: DVD
  • Subtitled; Color; Special Edition; Widescreen; NTSC
From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.
From Michael Cunningham, the Pulitzer Prize-winning au! thor of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.
From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan a! nd his roommate, Clare, a veteran of the city's erotic wars. B! obby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.
Just when he s needed most Captain Jack Sparrow (Johnny Depp) that witty and wily charmer of a pirate is trapped on a sea of sand in Davy Jones Locker. In an increasingly shaky alliance Will Turner (Orlando Bloom) Elizabeth Swann (Keira Knightley) and Captain Barbossa (Geoffrey Rush) begin a desperate quest to find and rescue him. Captain Jack s the last of the nine Pirate Lords of the Brethren Court who must come together united in one last stand to preserve the freedom-loving pirates way of life. From exotic Singapore to World s End and beyond from Shipwreck Island to a titanic battle this a! dventure s filled with over-the-edge action irreverent humor and seafaring myth and magic. Everything has led to this twisting turning wild swashbuckling ride in this final chapter of the Pirates Of The Caribbean trilogySystem Requirements:Run Time: 165 minutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 786936293012 Manufacturer No: 04099100Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit inta! ct. As always, Johnny Depp's Jack Sparrow tosses off great lin! es ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hur! ley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheim! er with serious understatement. Other cool extras include "Tal! e of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


Pirates of the Caribbean: Dead Man’s Chest

Our Pirates of the Caribbean Store

Pirates of the Caribbean: Curse of the Black Pearl

Pirates of the Caribbean: At World’s End Soundtrack

Why We Love… Bill Nighy

Johnny Depp Essential DVDs
Stills from Pirates of the Caribbean: At World’s End (click for larger image)

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Away From Her : Widescreen Edition

  • Widescreen
Married for almost 50 years, Grant's (Gordon Pinsent) and Fiona's (Julie Christie) commitment to each other appears unwavering. Their daily life is filled with tenderness and humor; yet this serenity is broken by Fiona's increasingly evident memory loss - and her restrained references to a past betrayal. For a while, the couple is able to casually dismiss these unwelcome changes. But when neither Fiona nor her husband can deny any longer that she is being consumed by Alzheimer's disease, the couple is forced to wrenchingly redefine the limits of their love and loyalty - and face the complex, inevitable transition from lovers to strangers."I'm going," says a lovely, understated Julie Christie, in a heart-wrenching moment of recognition that Alzheimer's is slowly descending on her. "But I'm not gone." Away from Her, the directorial debut of young Canadian actress Sarah Polle! y, allows two themes--the growth of love, and the limits of the mind--to intertwine, uplift, fall, and rise again, throughout its arc. What should be relentlessly depressing is instead a film of great courage, humor, defiance--and a quality that Christie's character, Fiona, calls out in another defining moment: grace.

Away from Her chronicles a love story between Fiona and her longtime husband, Grant, played with bearlike stolidity by Gordon Pinsett, as the couple struggle with the onset and acceleration of Fiona's Alzheimer's disease. Moments of lucidity and wry observation pepper Fiona's decline, and Christie gives an unforgettable performance as a woman who is both ordinary and singular to those whom she's touched. The story is set against a frigid Canadian winter, with fields of snow as a background underscoring the bleakness of Fiona's diagnosis; yet life is constant and surprising, in the call of a meadowlark or the resurrected memory of a skunk lily. A sc! ene of Fiona out for her daily cross-country ski shows Christi! e's gorg eous, sensual face in closeup against the snow, framed by a babushka, reminding the viewer of a similar scene of the decades-younger Christie in Dr. Zhivago. It's impossible not to be touched by the gifts of this extraordinary actress, through the life of this everywoman, whose very presence is shot through with grace. --A.T Hurleydvd

Gunner Palace DVD

  • American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations DVD Features: , Available Subtitles: English , Available Audi
Genre: Education/General Interest, War, Documentary, Theatrical Release, Soldiers, Military (Usa), Weapons, Saddam Hussein Director: Mike Tucker Description: In this striking documentary shot in 2003, early on in the US-led war on Iraq, a group of American soldiers in Baghdad who have taken over a bombed-out palace that belonged to Uday Hussein, the son of Saddam Hussein, offer the camera a view on their world. While they party poolside for most of the day and lead raids on homes of suspected bom! b-builders most nights, they also have a lot to say about the war and their situation. Rapping to each other or to the camera, they use rhyme to speak their minds about various aspects of the war, their day-to-day duties, and life in Iraq. Their youth and immaturity is striking, as is the war itself and the nebulous reasons that they are stationed there. While the primary purpose of GUNNER PALACE is to give the perspective of the soldiers, secondarily viewers get a glimpse of Iraqi civilians and how they react to the US military presence--some are terrified, others are skeptical, still others are compliant and grateful if not totally sure why. However, giving voice to the soldiers remains the film's major theme, and for this reason, filmmakers Michael Tucker and Petra Epperlein appealed the original R-rating given to the film by the MPAA, and won. With a PG-13 rating, filmmakers explained, teenagers considering military careers can watch the film and benefit from seeing sol! diers in combat and hearing them talk about what it's like. ! Releas e Notes: DVD Features: Region (unknown) Audio: Stereo 2.0 Surround Sound 5.1 Additional Release Material: Deleted Scenes U.S. Theatrical Trailer DVD Rom Features: WeblinksGunner Palace may well prove to be the emblematic film of the Iraq war, offering a yet-to-be rivaled level of intimacy with the inner lives of those who hate war more than anyone--the soldiers who have to fight it. A war documentary seemingly without an agenda, at least in political terms, it appears to neither support left-wing nor right-wing interpretations of the Iraq war (or perhaps it supports both). Director Michael Tucker provides a ground-level view of the conflict by closely following members of the 2/3 Field Artillery. He lived with these soldiers, documented their daily lives in a bombed-out former pleasure palace once belonging to Uday Hussein, accompanied them on raids, and recorded their brutally honest observations on film. We learn that mortar attacks typically fail to rattle the tr! oops, but that paper bags or packages in the streets that may contain Improvised Explosive Devices evoke gut-churning anxiety. We see Iraqi civilians whose homes are raided, cowering with fear as these members of the occupation search for contraband weapons. We meet soldiers who express profound doubts about the morality of their mission, soldiers who earnestly hope they’re helping the people of Iraq, soldiers who roll on the ground with laughter at the ineffective armor they've been provided for their Humvees. Most of these men (and occasionally women) hail from small towns and vacillate between exaltation for the adventure they're experiencing on the world stage and deep confusion and disillusionment at how it's proceeding. At one point in the documentary, Tucker returns to his home in the states; some footage of him making breakfast in his kitchen is shocking when one considers that only twelve hours previous he was in a war zone. Gunner Palace recapitulates thi! s dissonant sensation by virtue of its candor and proximity to! the con flict. In the 1970s the major broadcast media brought Vietnam into our living rooms via the nightly news. Gunner Palace, practically by itself, provides the same service today. --Ryan Boudinot
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