Friday, November 11, 2011

Rob Zombie 3-Disc Collector's Set

America The Beautiful/Tribute to God & Country

  • AMERICA THE BEAUTIFUL/TRIBUTE TO GOD&COUNTRY (DVD MOVIE)
This tells the emotional story of a young boy (half vietnamese half american) who leaves his mother his native land & all that he knows as he stows away on a boat headed for america. The emotional journey will not only lead him to his father but to a new life in a brand new world. Studio: Sony Pictures Home Ent Release Date: 05/22/2007 Starring: Nick Nolte Bai Ling Run time: 125 minutes Rating: R Director: Hans Peter MolandA powerful new collection from an award-winning poet.

At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and! the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinching, demanding, and generous.A powerful new collection from an award-winning poet.

At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and ly! rical, playful and angry, Beautiful Country offers a vi! sion of a country that is unflinching, demanding, and generous.A powerful new collection from an award-winning poet.

At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinching, demanding, and generous.Country Living is your guide to creating the ultimate in country style. Each issue offers inspirational ideas on:Decorating & Remodeling, Antiques & Collecting, Gardenin! g & Landscaping, Entertaining & Travel.From sea to shining sea, enjoy this musical tribute that carries you across 3,000 miles of imagery and song. This film takes you on a journey that lets your eyes, ears, and heart experience America. See our landscapes and landmarks, hear the music that says "America the Beautiful" in so many different ways. Includes thirty-three songs, such as: "America the Beautiful", "New York, New York", "Seventy-six Trombones", "Chicago", "Amazing Grace", "Shenandoah", "Rocky Mountain High", "This Land is Your Land", "Star Spangled Banner", and much more.

Boarding Gate

Ed Gein: The Butcher of Plainfield

  • Actors: Kane Hodder, Adrienne Frantz, Michael Berryman, Priscilla Barnes, Shawn Hoffman.
  • Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
  • Language: English (Dolby Digital 2.0), English (Dolby Digital 5.1 EX). Subtitles: Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Rated R. Run Time: 90 minutes.
The truth behind the twisted crimes that inspired the films Psycho, The Texas Chain Saw Massacre, and The Silence of the Lambs...

From "America's principal chronicler of its greatest psychopathic killers" (The Boston Book Review) comes the definitive account of Ed Gein, a mild-mannered Wisconsin farmhand who stunned an unsuspecting nation -- and redefined the meaning of the word "psycho." The year was 1957. The place was an ordinary farmhouse in America's heartland, filled with extraordinary evidence o! f unthinkable depravity. The man behind the massacre was a slight, unassuming Midwesterner with a strange smile -- and even stranger attachment to his domineering mother. After her death and a failed attempt to dig up his mother's body from the local cemetery, Gein turned to other grave robberies and, ultimately, multiple murders. Driven to commit gruesome and bizarre acts beyond all imagining, Ed Gein remains one of the most deranged minds in the annals of American homicide. This is his story -- recounted in fascinating and chilling detail by Harold Schechter, one of the most acclaimed true-crime storytellers of our time.Harold Schechter is a historian: he takes old files and yellowed newspaper clippings, and brings their stories to life. Deviant is about everyone's favorite ghoul, Ed Gein--whose crimes inspired the writers of Psycho, Texas Chainsaw Massacre, and The Silence of the Lambs. Schechter deftly evokes the small-town 1950s Wiscons! in setting--not pretty farms and cheese factories, but infert! ile soil and a bleak, hardscrabble existence. The details of Gein's "death house" are perhaps well known by now, but the murderer's quietly crazy, almost gentle personality comes forth in this book as never before. As Gary Kadet wrote, in The Boston Book Review, "Schechter is a dogged researcher [who backs up] every bizarre detail and curious twist in this and his other books ... More importantly, he nimbly avoids miring his writing and our reading with minutiae or researched overstatement, which means that although he can occasionally be dry, he is never boring."
Also recommended: Schechter's books about Albert Fish (Deranged) and Herman Mudgett a.k.a. Dr. H. H. Holmes (Depraved).This is the true story of America’s first famous serial killer. Everyone in small Plainfield, Wisconsin thought Ed was just a little different, a local oddity. But Ed was tormented and haunted by years of family abuse and repression which led him to the brutal murder! s and mutilations of countless victims and corpses. In a remote farmhouse filled with the stench of death, Ed is driven to do unspeakable acts to his victims, acts that have become legend and the basis for future films like "Psycho" and the "Texas Chainsaw Massacre." This film will shock you with its unflinching horror and unforgettable performances from Steve Railsback and Carrie Snodgrass. No one will ever forget the true story of "Ed Gein."The story of the killer Ed Gein is one of the weirdest, most disturbing ever, one that has inspired horror stories as diverse as Psycho and The Texas Chainsaw Massacre. His crimes, which were committed in and around Plainfield, Wisconsin, included exhuming corpses from local graveyards and making trophies and keepsakes from their skin and bones.

The Murder Files is a series of individual titles, giving condensed accounts of some of the most appalling and notorious killers of all time.The story of the killer Ed Gein is one of! the weirdest, most disturbing ever, one that has inspired hor! ror stor ies as diverse as Psycho and The Texas Chainsaw Massacre. His crimes, which were committed in and around Plainfield, Wisconsin, included exhuming corpses from local graveyards and making trophies and keepsakes from their skin and bones.

The Murder Files is a series of individual titles, giving condensed accounts of some of the most appalling and notorious killers of all time.

America may have had its fill of psychos for the last forty years, but none of them has inspired so many books and films (Pyscho, The Silence of the Lambs, The Texas Chainsaw Massacre) as Wisconsin's cannibalistic handyman, Ed Gein. None of them has been used as the ultimate ogre in countless children's stories and off-color jokes, and none of them has been found guilty of as many unspeakable atrocities as Ed Gein.

This is his story. This is his legend.
The gruesome murders shocked the world, the grisly remains told a terrifying story of pain, brutality and torture. Now, years! after inspiring PSYCHO's Norman Bates, SILENCE OF THE LAMBS's Buffalo Bill and THE TEXAS CHAINSAW MASSACRE's Leatherface, the story of real-life, serial killer Ed Gein is finally told. Nicknamed "The Butcher of Plainfield," Gein was responsible for a rash of gory murders that sent shock waves through his rural Wisconsin town, and across America, in the late 1950s. Prepare to enter the evil mind and twisted world of "The Butcher of Plainfield" in this dark and disturbing thriller.

The Freedom Writers Diary : How a Teacher and 150 Teens Used Writing to Change Themselves and the World Around Them

  • ISBN13: 9780385494229
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A YOUNG TEACHER INSPIRES HER CLASS OF AT-RISK STUDENTS TO LEARN TOLERANCE, APPLY THEMSELVES & PURSUE EDUCATION BEYOND HIGHSCHOOL.Though the "inspirational teacher" theme may feel done to death, Freedom Writers succeeds because it emphasizes the students as much as the teacher. Erin Gruwell (Hilary Swank, Million Dollar Baby, Boys Don't Cry) comes to a southern California high school bubbling over with naive optimism, but quickly discovers that her unruly classroom isn't easily won over by her good intentions. After a few floundering attempts to connect with her students, Gruwell gives them the assignment of keeping journals about their own lives--an assignment that the class bites ! into with relish, which eventually bonds them together and pushes racial rivalries aside. This plotline has been made before, sometimes well, sometimes poorly; Freedom Writers, by drawing heavily from the published journals of the students--and thanks to a (mostly) unheroic script, direction that emphasizes individual characters over stereotypes, and rigorous performances from the whole cast--makes the story seem fresh and genuine. Swank does solid work, but the standouts are April L. Hernandez as a girl whose gang wants her to lie and send an innocent boy to jail and Imelda Staunton (Vera Drake) as a teacher who resents Gruwell's offbeat success. Also featuring Patrick Dempsey (Grey's Anatomy), Scott Glenn (The Right Stuff), and a plethora of strong young actors. --Bret Fetzer

Beyond Freedom Writers


More Inspirational Teacher Films on DVD

The Freedom Writers Diary
by Erin Gruwell

More DVDs Starring Hilary Swank

Stills from Freedom Writers (click for larger image)







Hilary Swank stars in this story about a teacher in a racially divided school who gives her students what they ve always needed - a voice. Swank plays Erin Gruwell the real-life teacher at Long Beach s Wilson High who inspired her students to overcome the gangs that divided them and the education system that forgot them. Based on the book The Freedom Writers Diary and supported by a cast of first-time actors who drew from th! eir actual experiences on the street Gruwell teaches us all an! importa nt lesson about tolerance and trust.System Requirements:Running Time: 122 Mins.Format: DVD MOVIE Genre: DRAMA Rating: PG - 13 UPC: 097361243245 Manufacturer No: 124324Straight from the front line of urban America, the inspiring story of one fiercely determined teacher and her remarkable students.


As an idealistic twenty-three-year-old English teacher at Wilson High School in Long beach, California, Erin Gruwell confronted a room of “unteachable, at-risk” students. One day she intercepted a note with an ugly racial caricature, and angrily declared that this was precisely the sort of thing that led to the Holocaustâ€"only to be met by uncomprehending looks. So she and her students, using the treasured books Anne Frank: The Diary of a Young Girl and Zlata’s Diary: A Child’s Life in Sarajevo as their guides, undertook a life-changing, eye-opening, spirit-raising odyssey against intolerance and misunderstanding. They learned to see the parall! els in these books to their own lives, recording their thoughts and feelings in diaries and dubbing themselves the “Freedom Writers” in homage to the civil rights activists “The Freedom Riders.”

With funds raised by a “Read-a-thon for Tolerance,” they arranged for Miep Gies, the courageous Dutch woman who sheltered the Frank family, to visit them in California, where she declared that Erin Gruwell’s students were “the real heroes.” Their efforts have paid off spectacularly, both in terms of recognitionâ€"appearances on “Prime Time Live” and “All Things Considered,” coverage in People magazine, a meeting with U.S. Secretary of Education Richard Rileyâ€"and educationally. All 150 Freedom Writers have graduated from high school and are now attending college.

With powerful entries from the students’ own diaries and a narrative text by Erin Gruwell, The Freedom Writers Diary is an uplifting, unforgettable example of how har! d work, courage, and the spirit of determination changed the l! ives of a teacher and her students.

The authors’ proceeds from this book will be donated to The Tolerance Education Foundation, an organization set up to pay for the Freedom Writers’ college tuition. Erin Gruwell is now a visiting professor at California State University, Long Beach, where some of her students are Freedom Writers.

House of Sand and Fog

  • ISBN13: 9780393338119
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The National Book Award finalist, Oprah Book Club pick, #1 New York Times bestseller and basis for the Oscar-nominated motion picture.

A former colonel in the Iranian Air Force yearns to restore his family's dignity. A recovering alcoholic and addict down on her luck struggles to hold on to the one thing she has left. And her lover, a married cop, is driven to extremes to win her love.

In this masterpiece of American realism and Shakespearean consequence, Andre Dubus III's unforgettable charactersâ€"people with ordinary flaws, looking for a small piece of ground to stand onâ€"careen toward inevitable conflict, their tragedy painting a shockingly true pi! cture of the country we live in today.Oprah Book Club® Selection, November 2000: Andre Dubus III wastes no time in capturing the dark side of the immigrant experience in America at the end of the 20th century. House of Sand and Fog opens with a highway crew composed of several nationalities picking up litter on a hot California summer day. Massoud Amir Behrani, a former colonel in the Iranian military under the Shah, reflects on his job-search efforts since arriving in the U.S. four years before: "I have spent hundreds of dollars copying my credentials; I have worn my French suits and my Italian shoes to hand-deliver my qualifications; I have waited and then called back after the correct waiting time; but there is nothing." The father of two, Behrani has spent most of the money he brought with him from Iran on an apartment and furnishings that are too expensive, desperately trying to keep up appearances in order to enhance his daughter's chance! s of making a good marriage. Now the daughter is married, and ! on impu lse he sinks his remaining funds into a house he buys at auction, thus unwittingly putting himself and his family on a trajectory to disaster. The house, it seems, once belonged to Kathy Nicolo, a self-destructive alcoholic who wants it back. What starts out as a legal tussle soon escalates into a personal confrontation--with dire results.

Dubus tells his tragic tale from the viewpoints of the two main adversaries, Behrani and Kathy. To both of them, the house represents something more than just a place to live. For the colonel, it is a foot in the door of the American dream; for Kathy, a reminder of a kinder, gentler past. In prose that is simple yet evocative, House of Sand and Fog builds to its inevitable denouement, one that is painfully dark but unfailingly honest. --Alix Wilber

Crossing Over

Food, Inc.

  • In Food, Inc., filmmaker Robert Kenner lifts the veil on our nation's food industry, exposing the highly mechanized underbelly that's been hidden from the American consumer with the consent of our government's regulatory agencies, USDA and FDA. Our nation's food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farm
Food, Inc. lifts the veil on our nation's food industry, exposing how our nation's food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the
livelihood of the American farmer, the safety of workers and our own environment. Food, Inc. reveals surprising and often shocking truths about what we eat, how it's produced and who we have become as a nation.

Q&A with Producer/Director Robert Kenner, Co-Producer/Fo! od Expert Eric Schlosser, Food Expert Michael Pollan and Producer Elise Pearlstein

How did this film initially come about?
Kenner: Eric Schlosser and I had been wanting to do a documentary version of his book, Fast Food Nation.  And, for one reason or another, it didn't happen. By the time Food, Inc. started to come together, we began talking and realized that all food has become like fast food, and all food is being created in the same manner as fast food.

How has fast food changed the food we buy at the supermarket?
Schlosser: The enormous buying power of the fast food industry helped to transform the entire food production system of the United States.  So even when you purchase food at the supermarket, you’re likely to be getting products that came from factories, feedlots and suppliers that emerged to serve the fast food chains.

How many years did it take to do this film and what wer! e the ch allenges?
Kenner: From when Eric and I began talking, about 6 or 7 years.  The film itself about 2 ½ years.  It has taken a lot longer than we expected because we were denied access to so many places.

Pearlstein: When Robby brought me into the project, he was adamant about wanting to hear all sides of the story, but it was nearly impossible to gain access onto industrial farms and into large food corporations.  They just would not let us in.  It felt like it would have been easier to penetrate the Pentagon than to get into a company that makes breakfast cereal.  The legal challenges on this film were also unique.  We found it necessary to consult with a first amendment lawyer throughout the entire filming process.

Who or what influenced your film?
Kenner: This film was really influenced by Eric Schlosser and Fast Food Nation, but then as we were progressing ! and had actually gotten funding, it became very influenced as well by Michael Pollan and his book Omnivore’s Dilemma. 

And then, as we went out into the world, we became really incredibly influenced by a lot of the farmers we met.

What was the most surprising thing you learned?
Kenner: As we set out to find out how our food was made, I think the thing that really became most shocking is when we were talking to a woman, Barbara Kowalcyk, who had lost her son to eating a hamburger with E. coli, and she’s now dedicated her life to trying to make the food system safer. It’s the only way she can recover from the loss of her child. But when I asked her what she eats, she told me she couldn't tell me because she would be sued if she answered.

Or we see Carol possibly losing her chicken farm … or we see Moe, a seed cleaner who’s just being sued for amounts that there’s no way he can pay, even thoug! h he’s not guilty of anything.  Then we realized there’s ! somethin g going on out there that supersedes foods. Our rights are being denied in ways that I had never imagined. And it was scary and shocking. And that was my biggest surprise.

So, what does our current industrialized food system say about our values as a nation?
Pollan:
It says we value cheap, fast and easy when it comes to food like so many other things, and we have lost any connection to where our food comes from.

Kenner: I met a cattle rancher and he said, you know, we used to be scared of the Soviet Union or we used to think we were so much better than the Soviet Union because we had many places to buy things.  And we had many choices.  We thought if we were ever taken over, we’d be dominated where we’d have to buy one thing from one company, and how that’s not the American way.  And he said you look around now, and there’s like one or two companies dominating everything in the food world. We’ve become what ! we were always terrified of.

And that just always haunted me â€" how could this happen in America?  It seems very un-American that we would be so dominated, and then so intimidated by the companies that are dominating this marketplace.

How has the revolving door relationship between giant food companies and Washington affected the food industry?
Pearlstein:
We discovered that the food industry has managed to shape a lot of laws in their favor.  For example, massive factory farms are not considered real factories, so they are exempt from emissions standards that other factories face.  A surprising degree of regulation is voluntary, not mandatory, which ends up favoring the industry. 

What have been the consequences for the American consumer?
Kenner:
Most American consumers think that we are being protected.  But that is not the case.  Right now the USDA does not have the authority to shut down a plant ! that is producing contaminated meat.  The FDA and the USDA ha! ve had t heir inspectors cut back.  And it’s for these companies now to self-police, and what we’ve found is, when there’s a financial interest involved, these companies would rather make the money and be sued than correct it.  Self-policing has really just been a miserable failure.  And I think that's been really quite harmful to the American consumer and to the American worker. 

Pearlstein: The food industry has succeeded in keeping some very important information about their products hidden from consumers.  It’s outrageous that genetically modified foods don’t need to be labeled.  Today more than 70% of processed foods in the supermarket are genetically modified and we have absolutely no way of knowing.  Whatever your position, you should have the right to make informed choices, and we don’t.  Now the FDA is contemplating whether or not to label meat and milk from cloned cows.  It seems very basic that consumers should have the right t! o know if they’re eating a cloned steak.

Is it possible to feed a nation of millions without this kind of industrialized processing?
Pollan:
Yes.  There are alternative ways of producing food that could improve Americans’ health.  Quality matters as much as quantity and yield is not the measure of a healthy food system.  Quantity improves a population’s health up to a point; after that, quality and diversity matters more.  And it’s wrong to assume that the industrialized food system is feeding everyone well or keeping the population healthy.  It’s failing on both counts.

There is a section of the film that reveals how illegal immigrants are the faceless workers that help to bring food to our tables.  Can you give us a profile of the average worker?
Schlosser:
The typical farm worker is a young, Latino male who does not speak English and earns about $10,000 a year.  The typical meatpacking worker ha! s a similar background but earns about twice that amount.  A ! very lar ge proportion of the nation’s farm workers and meatpackers are illegal immigrants.

Why are there so many Spanish-speaking workers?
Kenner:
The same thing that created obesity in this country, which is large productions of cheap corn, has put farmers out of work in foreign countries, whether it’s Mexico, Latin America or around the world.  And those farmers can no longer grow food and compete with the U.S.’ subsidized food.  So a lot of these farmers needed jobs and ended up coming into this country to work in our food production.

And they have been here for a number of years.  But what’s happened is that we’ve decided that it’s no longer in the best interests of this country to have them here.  But yet, these companies still need these people and they’re desperate, so they work out deals where they can have a few people arrested at a certain time so it doesn’t affect production. But it affects people’s lives.  And ! these people are being deported, put in jail and sent away, but yet, the companies can go on and it really doesn’t affect their assembly line.  And what happens is that they are replaced by other, desperate immigrant groups.

Could the American food industry exist without illegal immigrants?
Schlosser:
The food industry would not only survive, but it would have a much more stable workforce.  We would have much less rural poverty.  And the annual food bill of the typical American family would barely increase.  Doubling the hourly wage of every farm worker in this country might add $50 at most to a family’s annual food bill.

What are scientists doing to our food and is it about helping food companies’ bottom line or about feeding a growing population?
Schlosser:
Some scientists are trying to produce foods that are healthier, easier to grow, and better for the environment.  But most of the food scientists ar! e trying to create things that will taste good and can be made! cheaply without any regard to their social or environmental consequences.

I am not opposed to food science.  What matters is how that science is used … and for whose benefit.

Can a person eat a healthy diet from things they buy in the supermarket if they are not buying organic? If so, how?
Pollan:
Yes, the supermarkets still carry real food.  The key is to shop the perimeter of the store and stay out of the middle where most of the processed food lurks.

How are low-income families impacted at the supermarket?
Kenner:
Things are really stacked against low-income families in this country.  There is a definite desire of the food companies to sell more product to these people because they have less time, they’re working really hard and they have fewer hours in their day to cook.  And the fast food is very reasonably priced.  Coke is selling for less than water.  So when these things are happening, it’s easi! er for low-income families sometimes to just go in and have a quick meal if they don’t get home until 10 o’clock at night.  At the moment, our food is unfairly priced towards bad food.

And, in the same way that tobacco companies went after low-income people because they were heavy users, food companies are going after low-income people because they can market to them, they can make it look very appealing.

What can low-income families do to eat healthier?
Schlosser:
As much as possible, they can avoid cheap, processed foods and fast foods.  It’s possible to eat well and inexpensively.  But it takes more time and effort to do so, and that’s not easy when you’re working two jobs and trying to just to keep your head above water.  The sad thing is that these cheap foods are ultimately much more expensive when you factor in the costs of all the health problems that come later.

Pollan: It’s possible to ! eat healthy food on a budget but it takes a greater investment! of time .  If you are willing to cook and plan ahead, you can eat local, sustainable food on a budget.

If someone wanted to get involved and help change the system, what would you suggest they do?
Pearlstein:
I hope people will want to be more engaged in the process of eating and shopping for food.  We have learned that there are a lot of different fronts to fight on this one, and people can see what most resonates with them.  Maybe it’s really just “voting with their forks” â€" eating less meat, buying different food, buying from companies they feel good about, going to farmers markets.

People can try to find a CSA â€" community supported agriculture â€" where you buy a share in a farm and get local food all year.  That really helps support farmers and you get fresh, seasonal food.  On the local political level, people can work on food access issues, like getting more markets into low income communities, getting better lunch program! s in schools, trying to get sodas out of schools.  And on a national level, we’ve learned that reforming the Farm Bill would have a huge influence on our food system. It requires some education, but it is something we should care about.

What do you hope people take away from this film?
Schlosser:
I hope it opens their eyes.

Kenner: That things can change in this country. It changed against the big tobacco companies.  We have to influence the government and readjust these scales back into the interests of the consumer.  We did it before, and we can do it again.

Pollan: A deeper knowledge of where their food comes from and a sense of outrage over how their food is being produced and a sense of hope and possibility of the alternatives springing up around the country.  Food, Inc. is the most important and powerful film about our food system in a generation.

For most Americans, the ! ideal meal is fast, cheap, and tasty. Food, Inc. examin! es the c osts of putting value and convenience over nutrition and environmental impact. Director Robert Kenner explores the subject from all angles, talking to authors, advocates, farmers, and CEOs, like co-producer Eric Schlosser (Fast Food Nation), Michael Pollan (The Omnivore's Dilemma), Gary Hirschberg (Stonyfield Farms), and Barbara Kowalcyk, who's been lobbying for more rigorous standards since E. coli claimed the life of her two-year-old son. The filmmaker takes his camera into slaughterhouses and factory farms where chickens grow too fast to walk properly, cows eat feed pumped with toxic chemicals, and illegal immigrants risk life and limb to bring these products to market at an affordable cost. If eco-docs tends to preach to the converted, Kenner presents his findings in such an engaging fashion that Food, Inc. may well reach the very viewers who could benefit from it the most: harried workers who don't have the time or income to read every book and eat ! non-genetically modified produce every day. Though he covers some of the same ground as Super-Size Me and King Corn, Food Inc. presents a broader picture of the problem, and if Kenner takes an understandably tough stance on particular politicians and corporations, he's just as quick to praise those who are trying to be responsible--even Wal-Mart, which now carries organic products. That development may have more to do with economics than empathy, but the consumer still benefits, and every little bit counts. --Kathleen C. Fennessy

About Schmidt : Widescreen Edition

  • Widescreen
Warren schmidt is forced to deal with an ambiguousfuture as he enters retirement. Soon after his wife passes away he must come to terms with his daughters marriage to a man he doesnt care for & the failure that his life has become. Studio: New Line Home Video Release Date: 11/14/2006 Starring: Jack Nicholson Hope Davis Run time: 124 minutes Rating: R Director: Alexander PayneWhile confirming Jack Nicholson's status as an American national treasure, About Schmidt is sure to provoke polarized reactions. Stoked by the success of Election, director Alexander Payne and cowriter Jim Taylor have altered Louis Begley's novel to suit their comedic agenda, turning Nicholson's titular character into a 66-year-old, newly retired Omaha insurance actuary, weary from decades of drudgery and passionless marriage. When his wife suddenly dies, he attempts to reclaim his lif! e in a king-sized Winnebago, desperate to convince his daughter (Hope Davis) not to marry the Denver dimwit (Dermot Mulroney) whose mother (Kathy Bates) has her own baggage of peculiar peccadilloes. Nicholson perfectly (and often hilariously) nails the seething anger beneath his character's façade of resignation, but Payne and Taylor convey cold-hearted contempt for these Midwestern malcontents. Think of this as Ikiru with bleaker humanity, until Schmidt finds meaning--and some small reward--in a quiet gesture of goodwill. Love it or hate it, About Schmidt is a movie you won't soon forget. --Jeff ShannonWarren Schmidt (Nicholson) is about to taste a not so sweet slice of life. When he retired, he and his wife Helen had big plans, but an unexpected twist changed everything. Now, all of Schmidt's attention is focused his daughter's upcoming wedding to a loser waterbed salesman. From meeting hippie parents to sponsoring a Tanzanian foster child, S! chmidt embarks on a search for answers...and discovers that li! fe is fu ll of trick questions.
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