Friday, November 4, 2011

The Motel

  • Puberty sucks, and nobody knows it better than 13-year-old Ernest Chin (Jeffrey Chyau). As he watches guests come and go, Ernest finds himself forever stuck at his family's hourly-rate motel, where he divides his time between taking orders from his overbearing mom, cleaning up after whatever miscreants the motel may attract and longing for the girl of his dreams, 15-year-old Christine (Samanth
A group of over-achieving Asian-American high school seniors engage in some extra curricular crime.
Genre: Feature Film-Drama
Rating: R
Release Date: 1-MAR-2004
Media Type: DVDJustin Lin's well-received 2002 independent feature, Better Luck Tomorrow, is a strangely appealing story of the mysterious, somehow inexorable drift of an ultra-conscientious, Southern California high school senior, Ben (Parry Shen), toward a fateful interlude with crime. Though high! ly focused on impressing colleges with his thoughtful balance of excellent grades, energized volunteer work (as a translator), and varsity sports (warming the bench during basketball games), something about Ben appears to be unraveling. Perhaps it is an attraction to his out-of-reach lab partner (Karin Anna Cheung), or his growing attachment to hard cash, or simply the malaise that coats his every act of self-denial. In any case, he and a brood of fellow Asian American overachievers metamorphose into the local go-to gang of black-market thievery--all while keeping up their classes. Lin brings a fresh angle to the exhausted youth-crime genre, and clarifies, with no small wisdom, the distinction between building a future and living one's destiny. --Tom KeoghJustin Lin's well-received 2002 independent feature, Better Luck Tomorrow, is a strangely appealing story of the mysterious, somehow inexorable drift of an ultra-conscientious, Southern California high school! senior, Ben (Parry Shen), toward a fateful interlude with cri! me. Thou gh highly focused on impressing colleges with his thoughtful balance of excellent grades, energized volunteer work (as a translator), and varsity sports (warming the bench during basketball games), something about Ben appears to be unraveling. Perhaps it is an attraction to his out-of-reach lab partner (Karin Anna Cheung), or his growing attachment to hard cash, or simply the malaise that coats his every act of self-denial. In any case, he and a brood of fellow Asian American overachievers metamorphose into the local go-to gang of black-market thievery--all while keeping up their classes. Lin brings a fresh angle to the exhausted youth-crime genre, and clarifies, with no small wisdom, the distinction between building a future and living one's destiny. --Tom KeoghStudio: Paramount Home Video Release Date: 07/14/2009 Rating: RJustin Lin's well-received 2002 independent feature, Better Luck Tomorrow, is a strangely appealing story of the mysterious, somehow inex! orable drift of an ultra-conscientious, Southern California high school senior, Ben (Parry Shen), toward a fateful interlude with crime. Though highly focused on impressing colleges with his thoughtful balance of excellent grades, energized volunteer work (as a translator), and varsity sports (warming the bench during basketball games), something about Ben appears to be unraveling. Perhaps it is an attraction to his out-of-reach lab partner (Karin Anna Cheung), or his growing attachment to hard cash, or simply the malaise that coats his every act of self-denial. In any case, he and a brood of fellow Asian American overachievers metamorphose into the local go-to gang of black-market thievery--all while keeping up their classes. Lin brings a fresh angle to the exhausted youth-crime genre, and clarifies, with no small wisdom, the distinction between building a future and living one's destiny. --Tom KeoghAn award-winning English language film for the whole family, "the D! ebut" revolves around Ben Mercado (Dante Basco), a talented hi! gh schoo l senior who has rejected his Filipino heritage. The long-simmering feud between Ben and his immigrant father Roland (Tirso Cruz III) threatens to boil over and ruin the 18th birthday party of Ben's sister Rose (Bernadette Balagtas). But to Ben's surprise, his sister's celebration challenges his sense of misplaced identity, and the way he regards his father and grandfather (Filipino film legend Eddie Garcia). In one night, Ben faces the true nature of his relationships with his family, his friends, and himself.

Filipino-American high school student Ben (Dante Mercado) works in a comic book shop to earn money to pay his way into Cal Arts. His father, a postman, is determined that his son--who has won a pre-med scholarship to UCLA--will become a doctor. The eighteenth birthday party of Ben's sister, Rose, sets off a comedic and touching series of events and family struggles that will in turn determine young Ben's future. This fresh independent production from Gene Cajayon ! presents a lighthearted and warm coming-of-age tale filtered through the eyes of an American subculture rarely seen on film.Puberty sucks, and nobody knows it better than 13-year-old Ernest Chin (Jeffrey Chyau). As he watches guests come and go, Ernest finds himself forever stuck at his family's hourly-rate motel, where he divides his time between taking orders from his overbearing mom, cleaning up after whatever miscreants the motel may attract and longing for the girl of his dreams, 15-year-old Christine (Samantha Futerman, MEMOIRS OF A GEISHA). When charismatic Sam Kim (Sung Kang, PEARL HARBOR, BETTER LUCK TOMORROW, THE FAST AND THE FURIOUS: TOKYO DRIFT) checks into the motel, fatherless Ernest is taken under his wing and hustled toward manhood, for better or worse. THE MOTEL is an honest portrait of adolescence as heartfelt and authentic as it is hilarious.Winner of the Humanitas Prize at Sundance 2005, The Motel is a charming feature debut by writer/director Mic! hael Kang. Between Kang and producer Gina Kwon (Me and You ! and Ever yone We Know), this chronicle of adolescent sexual exploration shares the clean, contemporary look of Miranda July's film, and also Dayton/Faris's recent release, Little Miss Sunshine. Interestingly, all three examinations of humanity's awkwardness star nerdy, charismatic children. Punctuated by spare dialogue, The Motel follows Ernest (Jeffrey Chyau), a thirteen year-old Chinese American boy whose family runs a roach motel primarily visited by prostitutes and druggies. Ernest's mother and grandfather strictly enforce their depressing traditional family work ethic, squashing Ernest's hopes of winning a writing contest that he has secretly entered, for example. As Ernest cleans scummy rooms, he discovers porno magazines and other evidence of raunchy sexual escapades. Intrigued but shy about his sexual prospects, Ernest casually enlists his semi-girlfriend, Christine (Samantha Futerman) to explore magazine images with him. Funny, touching scenes of Ernest wit! h his little sister's stuffed toy bunny, to name one, remind the viewer of that curious age when sex is mysterious but tangible. When renegade adult, Sam Kim (Sung Kang), moves into the motel to drink and cavort with women, Ernest befriends him and takes tips. Eventually Ernest realizes that he's a gentleman as he begins to understand the subtleties of love. In this film marked by sincerity, one can't help but think of the protagonist's name metaphorically. --Trinie Dalton

Enron: The Smartest Guys in the Room

  • Based on the best-selling book of the same name by Fortune reporters Bethany McLean and Peter Elkind, a multidimensional study of one of the biggest business scandals in American history. The chronicle takes a look at one of the greatest corporate disasters in history, in which top executives from the 7th largest company in this country walked away with over one billion dollars, leaving investors
ENRON:SMARTEST GUYS IN THE ROOM - DVD MovieOne of the greatest scandals in American corporate history is chronicled in the riveting documentary Enron: The Smartest Guys in the Room. Based on the bestselling book by Fortune magazine reporters Bethany McLean and Peter Elkin, and directed by Alex Gibney (who also produced The Trials of Henry Kissinger), the film is an epic morality tale, drawing upon a wealth of insider interviews and archival material to show how Enron, once the na! tion's seventh largest corporate entity, essentially faked its bookkeeping to report profits that never existed. The corrupt and closely-guarded mismanagement by Enron executives (including Kenneth Lay and Jeffrey Skilling, later placed on criminal trial) is revealed through such heinous concepts as "Hypothetical Future Value" (a way of reaping fortunes based on false profit projections) and the use of offshore "shell" companies to hide the massive losses that eventually toppled the company (along with the venerable Arthur Anderson accounting firm) and left 20,000 employees jobless. As a maddening portrait of hubris and white-collar crime, Enron transcends political and corporate boundaries by showing how smart and powerful men grew blinded by greed and brought ruin upon themselves, along with thousands of otherwise innocent victims. For better and worse, it's a perfect double-feature with eye-opening 2004 documentary The Corporation. --Jeff Shannon
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Dark City (Director's Cut) [Blu-ray]

  • The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a gri
The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a grisly murder, he soon finds himself hunted by the police, a woman claiming to be his wife and a mysterious! group of pale men who seem to control everything and everyone in the city. Starring Rufus Sewell (The Illusionist), Jennifer Connelly (A Beautiful Mind), William Hurt (A History of Violence) and Kiefer Sutherland (TVs 24).If you're a fan of brooding comic-book antiheroes, got a nihilistic jolt from The Crow (1994), and share director Alex Proyas's highly developed preoccupation for style over substance, you might be tempted to call Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so that even its derivative elements (and there are quite a few) acquire their own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (Blade Runner is considered a classic, after all), it's painfully clear that Dark City ha! s precious little heart and soul. One-dimensional characters a! re no ma tch for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plus sets (partially inspired by German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Alex Proyas and producer Andrew Mason. The underground world depicted in the film required the largest indoor set ever built in Australia. --Jeff Shannon

Capote / In Cold Blood

  • Available Subtitles: English, Spanish, French, Portuguese, Korean, Chinese, Thai
  • Available Audio Tracks: English (Dolby Digital 5.1), French (Unknown Format)
  • Commentary by director Bennett Miller and actor Philip Seymour Hoffman, Commentary by director Bennett Miller and cinematographer Adam Kimmel
  • Unanswered Prayers - a documentary on Truman Capote
  • 2 behind the scenes documentaries
In November, 1959, the shocking murder of a smalltown Kansas family captures the imagination of Truman Capote (Philip Seymour Hoffman), famed author of Breakfast at Tiffany's. With his childhood friend Harper Lee (Catherine Keener), writer of the soon-to-be published To Kill a Mockingbird, Capote sets out to investigate, winning over the locals despite his flamboyant appearance and style. When he forms a bond with the killers and their execution date nears, the writin! g of "In Cold Blood," a book that will change the course of American literature, takes a drastic toll on Capote, changing him in ways he never imagined. Stellar performances from Hoffman and Keener, as well as Academy Award® winner Chris Cooper (Adaptation) are why critics are calling Capote a "must-see movie."Bolstered by an Oscar®-caliber performance by Philip Seymour Hoffman in the title role, Capote ranked highly among the best films of 2005. Written by actor/screenwriter Dan Futterman and based on selected chapters from the biography by Gerald Clarke, this mercilessly perceptive drama shows how Truman Capote brought about his own self-destruction in the course of writing In Cold Blood, the "nonfiction novel" that was immediately acclaimed as a literary milestone. After learning of brutal killings in rural Holcomb, Kansas, in November 1959, Capote gained the confidence of captured killers Perry Smith (Clifton Collins, Jr.) and Dick Hickock ! (Mark Pellegrino) in an effort to tell their story, but he ult! imately sacrificed his soul in the process of writing his greatest book. Hoffman transcends mere mimicry to create an utterly authentic, psychologically tormented portrait of an insincere artist who was not above lying and manipulation to get what he needed. Bennett Miller's intimate direction focuses on the consequences of Capote's literary ambition, tempered by an equally fine performance by Catherine Keener as Harper Lee, Capote's friend and the author of To Kill a Mockingbird, who served as Capote's quiet voice of conscience. Spanning the seven-year period between the Kansas murders and the publication of In Cold Blood in 1966, Capote reveals the many faces of a writer who grew too close to his subjects, losing his moral compass as they were fitted with a hangman's noose. --Jeff ShannonOn November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from th! eir faces. There was no apparent motive for the crime, and there were almost no clues.

Five years, four months and twenty-nine days later, on April 14, 1965, Richard Eugene Hickock, aged thirty-three, and Perry Edward Smith, aged thirty-six, were hanged from the crime on a gallows in a warehouse in the Kansas State Penitentiary in Lansing, Kansa.

In Cold Blood is the story of the lives and deaths of these six people. It has already been hailed as a masterpiece.In Cold Blood was a groundbreaking work when released in 1966. With it, author Truman Capote contributed to a style of writing in which the reporter gets so far inside the subject, becomes so familiar, that he projects events and conversations as if he were really there. The style has probably never been accomplished better than in this book. Capote combined painstaking research with a narrative feel to produce one of the most spellbinding stories ever put on the page. Two two-tim! e losers living in a lonely house in western Kansas are out t! o make t he heist of their life, but when things don't go as planned, the robbery turns ugly. From there, the book is a real-life look into murder, prison, and the criminal mind.Capote Famed author Truman Capote befriends two murderers while researching his celebrated book "In Cold Blood" - and finds himself changed to the core. In Cold Blood The powerful true story of a callous murder from the minds of the criminals who performed it. Based on Truman Capote's best-selling novel.A landmark collection that brings together Truman Capote’s life’s work in the form he called his “great love,” The Complete Stories confirms Capote’s status as a master of the the short story. This first-ever compendium features a never-before-published 1950 story, “The Bargain,” as well as an introduction by Reynolds Price. Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of ! Capote’s oeuvre are here, in stories as elegant as they are heartfelt, as haunting as they are compassionate. Reading them reminds us of the miraculous gifts of a beloved American original.When a horrific murder rocks the peaceful community of Holcomb, Kansas, legendary writer Truman Capote is inspired to record the shocking true story in his novel IN COLD BLOOD. Capote--accompanied by fellow wordsmith Nell Harper Lee (TO KILL A MOCKINGBIRD)--travels to the Midwest in search of answers, and ends up becoming emotionally involved with one of the killers as they await trial.
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