Shark Tale (Widescreen Edition)

• Actors: Will Smith, Robert De Niro, Renée Zellweger, Angelina Jolie, Jack Black.
• Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC.
• Language: English, Spanish, French. Subtitles: English, French, Spanish.
• Region: Region 1 (U.S. and Canada only).
• Rated PG. Run Time: 90 minutes.

"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zellweger). He is shocked to discover that the humans have been stealing and eating the bee’s honey for centuries. He u! ltimately realizes that his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the world.There aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship ! quickly blossoms and leads Barry to the discovery that humans ! are stea ling honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right! over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami Horiuchi"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zellweger). He is shocked to discover that the humans have been stealin! g and eating the bee’s honey for centuries. He ultimately re! alizes t hat his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the world.There aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship quickly blossoms and ! leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' si! lly antics, though many of the jokes will go right over their ! heads an d parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami Horiuchi

Features include:

•MPAA Rating: PG
•Format: Blu-Ray
"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zel! lweger). He is shocked to discover that the humans have been stealing and eating the bee’s honey for centuries. He ultimately realizes that his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the world.There aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee ! law and speaks to a human named Vanessa (Renée Zellweger) in ! order to thank her for saving his life. A relationship quickly blossoms and leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the afo! rementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami HoriuchiStudio: Paramount Home Video Release Date: 05/20/2008 Run time: 90 minutes Rating: PgThere aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to! see the world outside the hive and can't begin to contemplate! doing t he same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship quickly blossoms and leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetiti! ve thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami HoriuchiSET IN SOUTH CAROLINA IN 1964, IS THE MOVING TALE OF LILY OWENS (FANNING! ) A 14 YEAR-OLD GIRL WHO IS HAUNTED BY THE MEMORY OF HERLATE M! OTHER (B URTON).Headed by an all-star cast of women, The Secret Life of Bees is the heartwarming and well-told story of a young girl who finds love and acceptance from a trio of independent sisters. The Secret Life of Bees is based on the bestselling book of the same name by Sue Monk Kidd and centers around the plight of 14-year-old Lily (Dakota Fanning). Assuming the burden for her mother's premature death, she has a precarious relationship with her abusive father T. Ray (Paul Bettany). Lily's only friend is her caregiver Rosaleen (Academy Award winner Jennifer Hudson). Set in South Carolina in 1964, when civil rights wasn't a given, Rosaleen's life is threatened by racists who'd just as soon see her dead than exercise her right to vote. Lily runs away with her to a town she believes may hold the secrets of her mother's life. There the pair meet the Boatwright sisters August (Queen Latifah), June (Alicia Keys) and May (Sophie Okonedo)--who produce the area's famous! Black Madonna honey. They eventually provide Lily with the unconditional love she never felt she had and also show Rosaleen that being a black woman in the South doesn't mean she can't have a sense of worth. The Secret Life of Bees doesn't try to pass itself off as a historical documentation of race relations in the 1960s. But the fictional slice of life still resonates because of the feelings of injustice that it stirs up. Though the film is written to show the disparity between blacks and whites, there is always a strong sense of hope, thanks to the lead actresses who bring empathy and dignity to their roles. Hudson exhibits some of the same quiet grace that Regina Taylor brought to her role as the family housekeeper in the superb TV series I'll Fly Away. Latifah has the part of wise matriarch down pat, even when she's playing a sister rather than a mother. And it's clear that Fanning is making a seamless transition from kid to young adult roles. Whethe! r she's giving an impassioned monologue or listening thoughtfu! lly, Fan ning brings nuance and intelligence to her role. --Jae-Ha Kim

Stills from The Secret Life of Bees (Click for larger image)

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A comic catch from the studio that brought you Shrek, Shark Tale is a hilarious hit and "a wonderful under-the-sea adventure for movie lovers of all ages!" (Clay Smith, Access Hollywood)

Oscar (Will Smith), a lowly tongue-scrubber at the local Whale Wash, becomes an improbable hero when he tells a great white lie. To keep his secret, Oscar teams up with an outcast vegetarian shark, Lenny (Jack Black), and the two become the most unlikely of friends. When his lie begins to unravel, it’s up to Oscar’s loyal friend Angie (Renée Zellweger) and Lenny to help him stand up to the most feared shark in the water (Robert De Niro) and find his true place in the reef.When a shark accidentally clobbers himself, a small fish named Oscar (voiced by Will Smith, I, Robot) just happens to be around, prompting everyone to believe that he killed the shark himself. T! his lie soon makes Oscar a celebrity, worshipped by the genera! l mass o f fish, wooed by a glittering golddigger (Angelina Jolie, Girl, Interrupted), missed by his best friend (Renee Zellweger, Cold Mountain)--and hunted by the godfather of great whites (Robert De Niro, Goodfellas). Can a vegetarian shark named Lenny (Jack Black, School of Rock) get Oscar out of this mess? The formulaic story of Shark Tale never reaches the giddy heights of Pixar's output (Finding Nemo, Monsters Inc., Toy Story) or the freewheeling comedy of Shrek, but it's capably told and impeccably animated--the sheer technical skill is stunning. Kids won't get the mobster jokes or the other pop-culture references, but they'll enjoy it nonetheless. --Bret Fetzer

Flirting with Disaster: Why Accidents Are Rarely Accidental

• ISBN13: 9781402753039
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Studio: Lions Gate Home Ent. Release Date: 04/15/2011 Rating: RSometimes a filmmaker's second movie gets labeled as a sophomore slump. David O. Russell (Spanking the Monkey) shreds that fate with Flirting with Disaster, an outrageous, free-spirited comedy about private people forced into public situations. Mel Coplin (Ben Stiller) finds the opportunity he's been waiting a lifetime for: an adoption agency rep (Téa Leoni) has located his birth parents and the agency will fly him to California if they can record the reunion. With wife Nancy (Patricia Arquette) and new son in tow, the neurotic Mel is compelled to discover his origins, despite the protests of his neurotic adoptive parents (! a wonderful Mary Tyler Moore and George Segal). To give away the plot any more would be a crime, but as the title states, Mel is on a collision course of Oedipal proportions. Russell, who made incest an intriguing black-comedy topic in Spanking, is very liberal with sex and permits dangerous situations. His characters mix it up at a moment's notice. The two women along for the ride are not just bit players: Leoni (Deep Impact) keeps her high-energy comic routine flying, while the grounded Arquette keeps the baby in arm, despite the mad wanderings of her husband. Stiller is a perfect comic foil. --Doug Thomas There's a fine line between desire and disaster. At least, that's what improper Southern belle Maggie Forsythe thinks when unceremoniously dumped by a fiance even her mother approved of. Maggie has never cared what anyone thinks, so why is she hiding away from her South Carolina Lowcountry home?

Then an intervention by friends shows her she has op! tions. Lots of them! And one includes a man who can make her f! orget al l about being jilted.

But one look at Maggie convinces project foreman Josh Parker that he's corn bread to her caviar. Sure, they have enough sparks to ignite a bonfire, but growing up broke has made him wary of sweetâ€"teaâ€"swilling debutantes. So why is he suddenly singing "Tea for Two"?Written and directed by David O. Russell (THREE KINGS, SPANKING THE MONKEY), this hysterically original comedy was cheered by critics and audiences nationwide. In a quest to find his biological parents, Mel Coplin (Ben Stiller, DUPLEX, MEET THE PARENTS) -- joined by his wife (Patricia Arquette, HUMAN NATURE, HOLES), and a sexy adoption counselor (Téa Leoni, PEOPLE I KNOW, HOLLYWOOD ENDING ) -- embarks on a cross country search for his "roots." Yet as he careens from one outrageous situation to another, Mel finds himself tempted by the seductive counselor -- even as his wife starts a flirtation of her own! By the time they meet up with his free-spirited birth parents, the whole situation! is spinning hysterically out of control! Also starring Mary Tyler Moore, Alan Alda, and Lily Tomlin, this hilarious hit is sure to entertain everyone!Sometimes a filmmaker's second movie gets labeled as a sophomore slump. David O. Russell (Spanking the Monkey) shreds that fate with Flirting with Disaster, an outrageous, free-spirited comedy about private people forced into public situations. Mel Coplin (Ben Stiller) finds the opportunity he's been waiting a lifetime for: an adoption agency rep (Téa Leoni) has located his birth parents and the agency will fly him to California if they can record the reunion. With wife Nancy (Patricia Arquette) and new son in tow, the neurotic Mel is compelled to discover his origins, despite the protests of his neurotic adoptive parents (a wonderful Mary Tyler Moore and George Segal). To give away the plot any more would be a crime, but as the title states, Mel is on a collision course of Oedipal proportions. Russell, who mad! e incest an intriguing black-comedy topic in Spanking, ! is very liberal with sex and permits dangerous situations. His characters mix it up at a moment's notice. The two women along for the ride are not just bit players: Leoni (Deep Impact) keeps her high-energy comic routine flying, while the grounded Arquette keeps the baby in arm, despite the mad wanderings of her husband. Stiller is a perfect comic foil. --Doug Thomas Sometimes a filmmaker's second movie gets labeled as a sophomore slump. David O. Russell (Spanking the Monkey) shreds that fate with Flirting with Disaster, an outrageous, free-spirited comedy about private people forced into public situations. Mel Coplin (Ben Stiller) finds the opportunity he's been waiting a lifetime for: an adoption agency rep (Téa Leoni) has located his birth parents and the agency will fly him to California if they can record the reunion. With wife Nancy (Patricia Arquette) and new son in tow, the neurotic Mel is compelled to discover his origins, despite the protests o! f his neurotic adoptive parents (a wonderful Mary Tyler Moore and George Segal). To give away the plot any more would be a crime, but as the title states, Mel is on a collision course of Oedipal proportions. Russell, who made incest an intriguing black-comedy topic in Spanking, is very liberal with sex and permits dangerous situations. His characters mix it up at a moment's notice. The two women along for the ride are not just bit players: Leoni (Deep Impact) keeps her high-energy comic routine flying, while the grounded Arquette keeps the baby in arm, despite the mad wanderings of her husband. Stiller is a perfect comic foil. --Doug Thomas

Chernobyl and Katrina.  ChallengerandColumbia. BP and Vioxx. The Iraq War.  Were these unavoidable misfortunes that no one could possibly have imagined?  Hardly. All of them were disasters that could have been prevented, or! whose damaging repercussions could have been mitigated.

            Despite warnings of impending disaster, preemptive action is rarely taken by those who have the ability to do so.  How do smart, high-powered people, leaders of global corporations, national institutions, even nations, often get it so wrong? While most investigations focus on the technical causes of disaster,Flirting With Disasterexamines the psychological, social, and cultural impediments to whistle-blowing, showing what we can do to reduce the possibility of disasters happening at all.

            Analyzing such phenomena as bystander behavior and the butterfly effect, amid a series of instructive case studiesâ€"not only the aforementioned shuttle crashes, natural disasters, and industrial accidents, but also Arthur Andersen’s shady accounting at Enron; the 1994 Mexican peso crisis that nearly caused an internatio! nal monetary meltdown; and the American sub-prime lending crisis that emerged in August 2007, revealing the country’s unhealthy dependence on consumer creditâ€"Marc Gerstein, an organizational psychologist,urges a re-evaluation of the timidity, distorted thinking, errors of judgment and self-serving conduct that result in disasters from the boardroom to the halls of academe to the Oval Office. Daniel Ellsberg, renowned and respected for releasing the Pentagon Papers, offers a foreword and a powerful afterword addressing what happens “When Leaders are the Problem.”

           Flirting With Disasteris a must-read for those who want to foster truth-telling in their organizations, and head off disasters in the making.  At once alarming, entertaining and hopeful, this is a book that offers very real and practical lessons for everyday life.

 

The Earth and I

• ISBN13: 9780152063955
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The eagerly awaited new book from the Emmy-winning, Oscar-hosting, Daily Show-anchoring Jon Stewart--the man behind the megaseller America (The Book).

Where do we come from? Who created us? Why are we here? These questions have puzzled us since the dawn of time, but when it became apparent to Jon Stewart and the writers of The Daily Show that the world was about to end, they embarked on a massive mission to write a book that summed up the human race: What we looked like; what we accomplished; our achievements in society, government, religion, science and culture -- all in a tome of approximately 256 pages with lots of color photos, graphs and charts.

After tw! o weeks of hard work, they had their book. EARTH (The Book) is the definitive guide to our species. With their trademark wit, irreverence, and intelligence, Stewart and his team will posthumously answer all of life's most hard-hitting questions, completely unburdened by objectivity, journalistic integrity, or even accuracy.

Also available as an ebook and as an audiobook.The long-awaited new novel by the award-winning, bestselling author of Startide Rising and The Uplift War--an epic novel set fifty years from tomorrow, a carefully-reasoned, scientifically faithful tale of the fate of our world. "One hell of a novel . . . has what sci-fi readers want these days; intelligence, action, and an epic scale".--Isaac Asimov's Science Fiction Magazine. Line drawings.

With its strong focus on readability and illustrations, this trusted best seller makes an often-complex subject more accessible for readers like you. It offers a meaningful, non-technica! l survey that is informative and up-to-date for learning basic! princip les and concepts. For the Tenth Edition, the text’s design and figures have been updated, and the chapter on climate change has been revised significantly.

In the best-selling tradition of Smithsonian Animal, this extraordinary survey of our planet provides unrivaled insight into the forces and processes that formed our environment and which continue to influence its evolution. With thousands of breathtaking photographs and unique visual catalogues of the features and phenomena that take place on Earth -- such as rocks, minerals, and mountains to tropical rain forests and the different types of clouds -- Earth contains the most up-to-date ideas on how our world works, a compelling review on the health of the planet, and unbelievable images of the world's most stunning features.A visual odyssey that will change the way we see our planet, this remarkable book, companion to the acclaimed Discovery Channel/ BBC series, is an enduring and awe-inspiring record of one o! f the most ambitious natural history projects ever undertaken. Using the latest aerial surveillance, state-of-the-art cameras, and high definition technology, the creators of Planet Earth have assembled more than 400 stunning photographs of wondrous natural landscapes from around the globe, including incredible footage of the rarely spotted, almost mythical creatures that live in these habitats. Many of the images reveal inaccessible places that few have seen and record animal behavior that has never been filmed or photographed before. With the help of this highly advanced technology and the world's premier wildlife photographers, the book takes us on a spectacular journey from the world's greatest rivers and impressive gorges, to its mightiest mountains, hidden caves and caverns, and vast deserts. Planet Earth captures breathtaking sequences of predators and their prey, lush vistas of forests viewed from the tops of towering trees, the oceans and their myster! ious creatures viewed from beneath the surface, and much more-! -in a ma gnificent adventure that brings unknown wonders of the natural world into our living rooms.
Copub: BBC Worldwide Americas Embraced worldwide as key spiritual teachers of our times, the Pleiadians are back, with another bold and controversial look at our highest purpose on Earth. Earth: Pleiadian Keys to the Living Library is their handbook to inspired living, calling on us to restore and return value to the human being, and to recognize the Goddess energies and the power of blood as connections to our DNA and our heritage.

Using wit, wisdom, and deep compassion, they entice us to explore the corridors of time through the concept of the Game Masters; to awaken the crucial codes for multidimensional perspective; and to redream the Living Library of Earth. Their teachings are significantly arranged in twelve chapters to trigger a deeper understanding of our ancestral lineage. Earth probes the memories hidden deep within us to reveal our! crucial roles in the transformational process unfolding in our times.

An exciting revision of this innovative text, Earth: Portrait of a Planet, Third Edition, emphasizes active student learning with a new chapter format, interactive media, and the power and insight of Google Earthâ„¢.

This story celebrates friendship that one child has with the Earth. They play together, listen to each other, and nourish each other. But when the Earth is sad, the child is sad--so he finds a way to make his friend, the Earth, happy.

Darkwing Duck, Volume 1

• 3 Disc Set Villains beware! Caped crime fighter Darkwing Duck is on the job. With three discs full of adventure and hilarity, Darkwing Duck is a feather-raising good time! Includes pilot and first 25 episodes. Format: DVD MOVIE Genre: CHILDREN Rating: NR Age: 786936710342 UPC: 786936710342 Manufacturer No: 5190203

"Duck Season" takes you into one particular Sunday morning in the lives of two fourteen-year old boys, Flama and Moko. With their neighbor Rita and pizza delivery boy Ulises, they create their own adventures to overcome their boredom. "Duck Season" explores the loneliness of childhood, the effects of divorce and the curious power of love and friendship. Winner of numerous awards, including an unprecedented 11 Ariel Awards, the film was produced by Christian Valdelievre, Lulu Productions and Cinepantera and executive produced by Jaime Ramos. Warner Independent Pictures and Alfon! so Cuaron's Esperanto Films will distribute.Villains beware! Caped crime fighter Darkwing Duck is on the job. With his loyal sidekick, Launchpad, and a whole bunch of zany high-tech gadgets, Darkwing does his best to keep the city of St. Canard safe -- and that's the easy part of his day! Darkwing must juggle the responsibilities of being a superhero and being a dad to nine-year-old Gosalyn. With three discs full of adventure and laughs, DARKWING DUCK is a feather-raising good time."Let's get dangerous!" Indeed, Disney's delightful Darkwing Duck, a masked mallard superhero, can get very dangerous--though the biggest danger he presents, typically, is to himself. Darkwing (DW to his friends) is the well-meaning if flamboyant (and klutzy) protector of St. Canard, a city that looks suspiciously like San Francisco and even has a Golden Gate-like bridge in which the winged avenger has tucked away his secret headquarters. A publicity-seeking ham, DW doesn't possess any superpowers! , but has some nifty gadgets and the determination to meddle w! ith nefa rious plans of high-profile villains. Among them are the fascinating Bushroot, a disillusioned scientist who turns himself into a plant and has the power to make flora do his bidding; Quackerjack, a cackling, Joker-like evildoer; Megavolt, a whining dog who controls electricity; and the Liquidator, another pooch who is made of, well, water.

DW fancies himself a lone wolf, so to speak, but unlike Batman, he doesn't have the knack for controlling every detail of his life. As a result, this would-be loner acquires a sidekick, a fawning pilot named Launchpad, and an adopted daughter, the headstrong Gosalyn, neither of whom he anticipated. All together they are a family of sorts, and DW needs them more than he cares to admit. This boxed set includes the series' two-part pilot and the first 25 episodes, including the very clever "Hush, Hush Sweet Charlatan," in which DW mistakes a sci-fi movie production on St. Canard's streets for a real alien invasion, and "Duck Blind," in ! which the temporarily sightless hero refuses to let a loss of vision stand in the way of his derring-do. --Tom Keogh

Dischord

• At the height of her success, alternative rock star Gypsy puts sown her violin and walks away from her career, she retreats with Lucian, her musician husband, to the desolation of Cape Cod in winter. There in Lucian s family cottage, isolated from all they worked to achieve, Lucian tries to support Gypsy in her quest from renewal and peace. Their solitude is cut short, however, when Lucian s long

Initially the release was going to be a double CD featuring one song from every band (50) on the label, but that idea grew to include a 100+ page booklet that would include photos and text about the bands and the history of the label. Later a third CD was added, this one featuring unreleased or rare material from the Dischord vaults, as well as some CD-ROM video files of archival footage of performances from some of the early bands. 73 songs from various artists including The Teen Idols, Mino! r Threat, Gray Matter, Beefeater, The Snakes, Slant 6, Shudder To Think and many more. Three standard jewel cases housed in a slip-box. 2002.Self-absorbed New Age composer Lucien (Andrew Borba) feels overshadowed by the talent and fame of his "improv" violinist wife Gypsy (Annunziata Gianzero), so she abandons her music to placate him, and together they retreat to their beach front home. Gypsy just "needs to fly again, needs to dream," like she did when her grandfather played for her as a little girl. Meanwhile Lucien's serial killer brother Jimmy (Thomas Jay Ryan) comes to visit after a long absence. The three walk on the beach, drink, and talk about their pasts. Gypsy listens to wind chimes and confides in a mysterious beachcomber; Lucien grows frustrated composing his next album, and Jimmy drowns the local women. Meanwhile a retired Boston detective is on Jimmy's trail, and eventually explosive confrontations erupt on both artistic and psychological levels. DISCHORD i! s a unique, low-budget indie from writer-producer-director-edi! tor Mark Wilkinson. It seems to take place in an alternative New Age universe where even cops and Cape Cod fisherman talk about appeasing the spirits and New Age music is more popular than rock and rap combined. Naturally there's an intriguing score, and Hal Hartley fans will relish seeing HENRY FOOL star Ryan in another meaty role.

The Horse Whisperer

• After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl s desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this, rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches

#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.

The Horse Whisperer is a! story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear upon reading the touching tale.

One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soot! hing words and a gentle touch. Just when it seems he can't be! found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act! as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.The Horse Whisperer is a story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear up! on reading the touching tale.

One morning while teenage ! Grace Ma clean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a gentle touch. Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married ! women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES ! BESTSELLER

His name is Tom Booker. His voice can ca! lm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.

"I've started horses since I was 12 years old and have been bit, kicked, bucked off and run over. I've tried every physical means to contain my horse in an effort to keep from getting myself killed. I started to realize that things would come much easier for me once I learned why a horse does what he does. This method works well for me because of the kinship that develops between horse and rider. " --Buck Brannaman

In THE FARAWAY HORSES, Brannaman shares his methods for training and  provides a behind-the-scenes glimpse of Robert Redford's movie The Horse Whisperer, for which he was the tech! nical advisor.

 

*Authoratative figure in horsemanship
*Reveals the key to understanding animals

BUCK BRANNAMAN is a horse gentler--not a horse "breaker"--who has started more than 10,000 young horses in his clinics. He lives with his family in Sheridan, Wyoming.

WILLIAM REYNOLDS is the associate publisher of Cowboys & Indians magazine. He lives with his family in Santa Ynez, California.

"I've started horses since I was 12 years old and have been bit, kicked, bucked off and run over. I've tried every physical means to contain my horse in an effort to keep from getting myself killed. I started to realize that things would come much easier for me once I learned why a horse does what he does. This method works well for me because of the kinship that develops between horse and rider. " --Buck Brannaman

In THE FARAWAY HORSES, Brannaman shares his methods for training and  provide! s a behind-the-scenes glimpse of Robert Redford's movie The! Horse W hisperer, for which he was the technical advisor.

 

*Authoratative figure in horsemanship
*Reveals the key to understanding animals

BUCK BRANNAMAN is a horse gentler--not a horse "breaker"--who has started more than 10,000 young horses in his clinics. He lives with his family in Sheridan, Wyoming.

WILLIAM REYNOLDS is the associate publisher of Cowboys & Indians magazine. He lives with his family in Santa Ynez, California.

"I've started horses since I was 12 years old and have been bit, kicked, bucked off and run over. I've tried every physical means to contain my horse in an effort to keep from getting myself killed. I started to realize that things would come much easier for me once I learned why a horse does what he does. This method works well for me because of the kinship that develops between horse and rider. " --Buck Brannaman

In THE FARAWAY HORSES, Brannaman shar! es his methods for training and  provides a behind-the-scenes glimpse of Robert Redford's movie The Horse Whisperer, for which he was the technical advisor.

 

*Authoratative figure in horsemanship
*Reveals the key to understanding animals

BUCK BRANNAMAN is a horse gentler--not a horse "breaker"--who has started more than 10,000 young horses in his clinics. He lives with his family in Sheridan, Wyoming.

WILLIAM REYNOLDS is the associate publisher of Cowboys & Indians magazine. He lives with his family in Santa Ynez, California.

Composing music for a Robert Redford movie is a good thing. Ordinary People made Pachelbel's Canon in D a mainstream hit. The Milagro Beanfield War won Dave Grusin an Oscar for his charming score, and A River Runs Through It nabbed a nomination for Mark Isham's popular themes. Thomas Newman's score for Redford's adaptation of Nich! olas Evans's bestseller relates well to the leisurely paced, n! early th ree-hour horse drama: it's never complicated. The rhythms of Big Sky country are introduced in a warble of strings in Newman's score and never overstay their welcome. Newman's dexterity in building various layers is more apparent in his scores for The Player and The People Vs. Larry Flynt, but those are more acidic movies (and scores). Most of the film's country-music sting originates with the songs that are available on a separate soundtrack album. There's more fluidity on this CD and, at nearly an hour of music, the disc lets Newman's score ease over you. --Doug ThomasAcademy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Det! ermined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford s! tars as the title character, a Montana rancher named Tom Booke! r, who p ossesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's sought out by a fast-lane New York magazine editor (Kristin Scott Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their import! ant decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon

Dirt 3

• DiRT 3 delivers mud, sweat and gears the world over: from the intense weather-beaten rally stages of Europe, Africa and the US
• The game boasts more cars, more locations, more routes and more events than any other game in the series
• Rally returns with more than double the amount of the content.
• Gamers can test their car control to the very limi and drift, spin-dry and jump their way to stardom in all new Gymkhana events.
• For the first time in the Dirt series, players will enjoy the unique and exhilarating spectacle of racing on snow.
• Multi-stage rallyes are set at classic locations from the traditional rally heartland of Scandinavia to to the jungles of Kenya

Dirt 3 (PS3)

Dirt 3 is a popular rally racing game for PlayStation 3 that combines the feel of fast-paced arcade style racing action across multiple surfaces and enviro! nments with realistic features found on real off-road circuits. The third release in the acclaimed off-road racing franchise, Dirt 3 features a range of racing and driving disciplines at spectacular locations, more than 100 routes, the finest selection of licensed action-sports racing cars, multistage rallies set at classic locations, exhilarating snow racing action and mesmerizing Gymkhana race events.

More Cars, More Locations, More Everything

Dirt 3 boasts more cars, more locations, more routes and more events than any other game in the series, including over 50 rally cars representing the very best from five decades of the sport. With more than double the track content of 2009's hit, Dirt 3 will see players start at the top as a professional driver! , with a topflight career in competitive off-road racing complimented by the opportunity to express themselves in Gymkhana-style showpiece driving events. As players race to elevate their global standing, Dirt 3 delivers mud, sweat and gears the world over: from the intense weather-beaten rally stages of Europe, Africa and the US, to executing performance driving showcases and career challenges where car control is pushed to spectacular limits.

The third release in the Dirt series contains more cars, more locations, more everything.
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Key Game Features

• Be a Pro - Dirt 3 puts players in the racing ! boots of a professional motorsports athlete. The beaten up RV of Dirt 2 is a thing of the past as gamers compete against stars including Ken Block and Kris Meeke across a range of racing and driving disciplines at spectacular locations across the world.
• More, More, More - Dirt 3 boasts more cars, more locations, more routes and more events than any other game in the Dirt series. There are now 100+ routes in the game compared to Dirt 2's 41. Dirt 3 offers the finest selection of licensed action-sports racing cars available and the largest line up to feature in any Codemasters racing game, including cars that represent 5 decades of rallying from classics like the Mini Cooper and Audi Quattro to Ken Block's rally spec Ford Fiesta.
• Rally is Back - After consulting fan-feedback, reviews and performing exhaustive data mining, the standout event from Dirt 2, Rally, returns with more than double the amount of! content. Multistage rallies are set at classic locations from! the tra ditional rally heartland of Scandinavia to the jungles of Kenya and the forests of Europe and the USA, taking players to the most dramatic, inhospitable and exciting terrain on the planet where only the most fearless drivers race.
• Express Yourself with Gymkhana - The 15 million-plus YouTube phenomenon pioneered by Ken Block now powerslides into to Dirt 3. Gamers can test their car control to the very limit and drift, spin-dry and jump their way to stardom in all new Gymkhana events. Set in specially created arenas packed with props, players can practice their skills, chain together moves, complete challenges or hang out online with friends in this spectacular video game first.
• Let It Snow - For the first time in the Dirt series, players will enjoy the unique and exhilarating spectacle of racing on snow. A highly advanced particle and physics model powers snow that builds up on the track, wheel tread and the car as it falls more h! eavily throughout the race. As players drive they will feel the change in the handling as the snow compacts at different rates depending on your speed, angle and cornering. This best-in-class feature delivers truly jaw-dropping visual and performance effects.

Additional Screenshots

A franchise first, snow racing. View larger.

Unique Gymkhana events. View larger.

Split-screen functionality. View larger.

Multiplayer madness. View larger.